Description
Expressive Minds and Artistic Creations: Studies in Cognitive Poetics presents multidisciplinary and interdisciplinary research papers describing new developments in the field of cognitive poetics. The articles examine the complex connections between cognition and poetics with special attention given to how people both create and interpret novel artistic works in a variety of expressive media, including literature, music, art, and multimodal artifacts. The authors have diverse disciplinary backgrounds, but all of them embrace theories and research findings from multiple perspectives, such as linguistics, psychology, literary studies, music, art, neuroscience, and media studies. Several authors explicitly discuss empirical and theoretical challenges in doing interdisciplinary work, which is often considered as essential to future progress in cognitive poetics. Scholars address many specific research questions in their articles, including most notably, the role of embodiment and simulation in human imagination, the importance of conceptual metaphors and conceptual blending processes in the creation and interpretation of literature, and the function of multiperspectivity in poetic and multimodal texts. Several new ideas are also advanced in the volume regarding the cognitive mechanisms responsible for artistic creations and understandings.The volume overall offers an expanded view of cognitive poetics research which situates the study of expressive minds within a broader range of personal, social, cultural and historical contexts. Among other leading researchers, many contributors are world-famous scholars of psychology, linguistics, and literature, including Raymond W. Gibbs, Jr., Zoltán Kövecses, and Reuven Tsur, whose defining papers also survey the roles and significance of conceptual mechanisms in literature.
Table of Contents
Szilvia CsábiIntroductionZoltán KövecsesForewordPart 1. Imagination as Simulation1 Marco CaraccioloDegrees of Embodiment in Literary Reading: Notes for a Theoretical Model, With American Psycho as a Case Study2 Raymond W. Gibbs, Jr. and Lacey OkonskiCognitive Poetics of Allegorical ExperiencePart 2. Beyond Metaphors: Conceptual Integration and Other Complex Figurative Operations3 Cristóbal Pagán Cánovas and Anna PiataThe Way Time Goes By: Conceptual Integration and the Poetics of Time4 Mark J. BruhnIntentionality and Constraint in Conceptual Blending5 Paula Pérez-SobrinoCognitive Modeling and Musical CreativityPart 3. Multiperspectivity: Proximity and Distance6 Wei-lun Lu, Arie Verhagen,and I-wen SuA Multiple-Parallel-Text Approach for Viewpoint Research Across Languages: The Case of Demonstratives in English and Chinese7 Antonina HarbusThe Long View: Cognitive Poetic Approaches to "Dynamic Affect" in Early English Verse8 Natalia IglPoetics of Perception: The Cognitive Linguistic Foundation of Narrativity and the "Aesthetics of Observation" in German Avant-Garde LiteraturePart 4. Multiperspectivity: Verbal and Visual Modalities9 Michael Burke and Esmeralda V. BonThe Locations and Means of Literary Reading10 Sonja ZemanUt Pictura Poesis? The Poetics of Verbal Imagery11 Christian W. Schneider and Michael PleyerCognitive Linguistics and Multimodal Poetics: Sequential and Summary Scanning in Graphic Literature12 Reuven TsurElusive Qualities in Poetry, Receptivity, and Neural CorrelatesRaymond W. Gibbs, Jr.Postscript: Imagining the Future of Cognitive PoeticsList of contributorsIndex
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