Description
This book argues that many of the mid-twentieth century's significant novelists were united by a desire to return the increasingly interior novel to ethical engagement. They did not seek morality in society, politics or the individual will, but sought to unveil a transcendent Good by using techniques drawn from the canon of mystical literature
Table of Contents
Acknowledgements Introduction: The Middle Is Everywhere Towards an Ideal Limit: Linguistic Authority in the Work of Iris Murdoch From Apophasis to Aporia: William Golding and the Indescribable Verbal Sludge: The Ethics of Instability in Patrick White's Prose Bliss From Bricks: Saul Bellow's Moral Phenomenology Conclusion: Drawing Circles In The Sea: Un-Defining the 'Mystical Novelist' Endnotes Works Cited Index
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