Description
Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.
Table of Contents
Foreword - Elly Ameling and Max Deen LarsenIntroductionPart I: The Language of Poetry1. Introduction to German Romanticism2. Devices and Delights in PoetryPart II: The Language of the Performer3. Texture4. Temporality5. Elements of InterpretationPart III: The Language of Music6. Harmony and Tonality7. Melody and Motive8. Rhythm and Meter9. Form in the German Lied10. Different Settings of a Single Text: Comparison of Compositional StylePostludeNotesAppendix I: Text TranslationsAppendix II: Glossary: Terminology for Poetry, Performance, AnalysisAppendix III: Selected BibliographyAppendix IV: Repertory by ChapterAppendix V: Scores Not Readily AvailableIndex
