Description
The Poems of Browning
Volumes one (1826-1840) and two (1841-1846) presented the poems from his early years up to his marriage to Elizabeth Barrett, including the dramatic poem Paracelsus (1835), which first brought him to wide attention, and Sordello (1840), which confirmed him as a poet of ambition and imagination.
Volume three (1847-1861) of The Poems of Browning covers the years of Browning's life in Italy with his wife Elizabeth Barrett Browning. During the fifteen years of his marriage and self-imposed exile, Browning produced Christmas-Eve and Easter Day (1850), a major statement of his religious philosophy, and Men and Women (1855), his greatest collection of shorter poems. The poems of Men and Women, like all Browning's work, are steeped in his wide and idiosyncratic knowledge of literature, music, art, history, and popular culture, but a new and distinctive touch comes from the sights, sounds and textures of ordinary life in Italy. Based on a comprehensive study of textual and contextual sources, including a significant amount of hitherto undiscovered or unpublished manuscripts of poems and letters, this volume offers the most complete and informative edition of works that are central to Browning's achievement. In addition, Browning's most important work of critical prose, the Essay on Shelley, is presented in an appendix with full annotation, and poems which refer to specific works of painting or sculpture are illustrated with colour plates.
Volumes four presents the poetry Browning produced during the decade following the death of his wife, including Dramatis Personae, which heralded a re-evaluation of his critical reputation, and The Ring and the Book, which many consider to be his greatest work. The Poems of Browning represents the most informative and up-to-date edition of the works of one of England's greatest poets.
Table of Contents
Volume III: 62: Love in a Life; 63: Life in a Love; 64: In Three Days; 65: In a Year; 66: Lines Improvised on EBB. (‘That I only deceive'); 67: The Guardian-Angel; 68: A Pretty Woman; 69: “De Gustibus—”; 70: Evelyn Hope; 71: Christmas-Eve and Easter-Day; 72: Up at a Villa—Down in the City; 73: The ‘Moses' of Michael Angelo; 74: Bishop Blougram's Apology; 75: The Patriot; 76: 76 The Heretic's Tragedy; 77: Respectability; 78: A Face; 79: Women and Roses; 80: “Childe Roland to the Dark Tower came”; 81: Instans Tyrannus; 82: A Toccata of Galuppi's; 83: A Woman's Last Word; 84: A Lovers' Quarrel; 85: The Last Ride Together; 86: Andrea del Sarto; 87: Old Pictures in Florence; 88: The Statue and the Bust; 89: Lines on Justina Deffel; 90: May and Death; 91: How it Strikes a Contemporary; 92: Popularity; 93: My Star; 94: Master Hugues of Saxe-Gotha; 95: In a Balcony; 96: By the Fire-Side; 97: Epigram on the Grand Duke (‘The G. d Duke wash'd and kiss'd ten poor men's feet’); 98: Mesmerism; 99: A Serenade at the Villa; 100: Saul; 101: Fra Lippo Lippi; 102: An Epistle; 103: Love Among the Ruins; 104: Holy-Cross Day; 105: Memorabilia; 106: Two in the Campagna; 107: A Light Woman; 108: Cleon; 109: Protus; 110: “Transcendentalism:”; 111: Any Wife to Any Husband; 112: The Twins; 113: Ben Karshook's Wisdom; 114: A Grammarian's Funeral; 115: One Way of Love; 116: Another Way of Love; 117: Misconceptions; 118: One Word More; 119: Mock Epitaph (‘Here Lies Browning'); 120: Study of a Hand, by Lionardo; 121: Lines in a Letter to Isa Blagden (‘Oh, my Isa! Ah, my Annette!'); 122: Variation on Lines of Landor (‘An angel from his Paradise drove Adam')
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