Description
Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insul
Table of Contents
1. Introduction 2. Learning to Curse 3. Marlowe, Marx and Anti-Semitism 4. Filthy Rites 5. The Cultivation of Anxiety 6. Murdering Peasants 7. Psychoanalysis and Renaissance Culture 8. Towards a Poetics of Culture 9. Resonance and Wonder. Index
