I Know What the Red Clay Looks Like : The Voice and Vision of Black Women Writers (Expanded and Revised Edition)

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I Know What the Red Clay Looks Like : The Voice and Vision of Black Women Writers (Expanded and Revised Edition)

Carroll, Rebecca/ Tillet, Salamishah (FRW)

ウェブストア価格 ¥10,700（本体¥9,728）
Haymarket Books（2024/12発売）
外貨定価 US$ 50.00
ポイント 97pt

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製本 Hardcover:ハードカバー版／ページ数 272 p.
言語 ENG
商品コード 9798888902981

Full Description

Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers.

The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class.

Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in today's literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new author's note. The new contributors carry the torch of the original interviewees' lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writing—they are about life, relationships, joy, gratitude, wellness, and self-preservation.

I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.

Foreword by Salamishah Tillet

Introduction by Rebecca Carroll

Poem by Morgan Parker

Davida (Adedjouma) Kilgore, reintroduced by Shanita Hubbard

Excerpt from The Myth Makers

Tina McElroy Ansa, reintroduced by Alora Young

Excerpt from Ugly Ways

Lorene Cary, reintroduced by Nadia Owusu

Excerpt from Black Ice

Pearl Cleage, reintroduced by Donika Kelly

Excerpt from Deals with the Devil: And Other Reasons to Riot

J. California Cooper, reintroduced by Bassey Ikpi

Excerpt from The Matter is Life

Rita Dove, reintroduced by Safiya Sinclair

Excerpt from Through the Ivory Gate

Gloria Wade-Gayles, reintroduced by Keah Brown

Excerpt from Annointed to Fly

Nikki Giovanni, reintroduced by Chanda Prescod-Weinstein

Excerpt from The Women and the Men

Marita Golden, reintroduced by Cleyvis Natera

Excerpt from A Woman's Place

June Jordan, reintroduced by J Wortham

Excerpt from Technical Difficulties: African American Notes on the State of the Union

Gloria Naylor, reintroduced by Diamond Sharp

Excerpt from Mama Day

Barbara Neely, reintroduced by Maisy Card

Excerpt from Blanche on the Lam

Gwendolyn M. Parker, reintroduced by Denne Michelle Norris

Excerpt from These Same Long Bones

Charlotte Watson Sherman, reintroduced by Marissa Renee Lee

Excerpt from One Dark Body

Barbara Summers, reintroduced by Tembe Denton-Hurst

Excerpt from Nouvelle Soul