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Full Description
How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander's 'Dada is merely an impertinence' through Trotsky's 'There cannot be a proletarian culture' to Averbakh's 'Tear off the masks!' and Becher's 'There can only be one kind of genuine art: fighting art'
This book covers communist attitudes to the whole field of cultural innovation, from the art of the left abstractionists to the literature of the worker-correspondent movement and the music of Weill and Eisler, through to proletarian film, theatre and photography. Historian Ben Fowkes takes full account of the impact on Weimar left culture of external events, such as the First World War, the 'Great Change' in the Soviet Union, and internal German developments—including the failure of revolution after 1918 and the rise of Nazism. Each chapter starts with an introduction that provides context for the relevant documents and explores the current state of research.
Contents
Preface
Acknowledgements
Abbreviations
1 Introduction: The Avant-Garde and Cultural Innovation
2 The German Setting
3 The Shock of War and Its Aftermath
4 Following the 'Alexander Line'
5 The Revolt of Art becomes a Revolt Against Art
6 Parallel Developments: The Wider European Context
7 The Soviet Cultural Background: The Debates of the 1920s and Their Relevance
8 The New Start of 1925 in Germany
9 New Forms and New Participants: Worker-Correspondents and Worker-Photographers
10 The Impact of the Great Change: The Attempt to Organise and Unify Proletarian Culture
11 Political, Literary, and Artistic Aspects of the Proletarian Culture Movement
Conclusion: The End of Weimar and the Coming of Socialist Realism
Appendix: List of Documents by Chapter
Note on Sources
Bibliography
Index
