Full Description
In this book, Asbjørn Skarsvåg Grønstad challenges us to reconceptualize the notion of free speech. Focusing on the domains of cultural production, aesthetics, and education, Grønstad contends that neoliberalism currently poses the greatest threat to our freedom of expression.
Crucially, the book argues that freedom of speech should no longer be considered merely as parrhesia-understood as the license to offend-but also as isegoria, the equal right to speak. The latter denotes the original meaning of free speech, Grønstad posits, and should be restored as the conceptual ambit of the term, despite being largely overlooked after Greek Antiquity.
Grønstad examines a variety of texts across formats including Fahrenheit 451, Alphaville (1965), Severance, the performance art of Jingyi Wang, and the films of Yorgos Lanthimos to conduct a multi-faceted engagement with cultural works and discourses spanning both genre and historical period that grapple with issues of free speech, censorship, and neoliberal politics. Ultimately, these analyses highlight how art and aesthetics represent a particular case of isegoria, and more broadly, how neoliberal rationality operates to delimit the space of the sayable and the expressible.
Contents
Preface
Acknowledgements
Introduction: From Parrhesia to Isegoria
1. Reclaiming Isegoria
2. The War on Imaginative Speech
3. Art and Justice in the Age of Neoliberalism
4. Neoliberal Epistemology, Censorial Imaginaries: Alphaville and Fahrenheit 451
5. The Dividual Self in Severance
6. Neoliberalism as Burlesque: The Cinema of Yorgos Lanthimos
7. "The Academy in Peril:" Free Speech and the Future of Critical Thinking
Postscript: Requiem for the Arts?
Bibliography
About the Author
Index
