Full Description
This collection of interdisciplinary and multicultural essays takes a novel approach to the ancient theory of the Harmony of the Spheres and the notion of musical harmony.
The idea of the harmony of the spheres is an old and venerable one, finding a parallel between the orderly nature of the cosmos and that of music. Wherever there is discussion of order, number, and frequency, connections to music are close at hand. Modern physics, while on the surface a long way from such ideas, tells a not dissimilar story. Here all things are in motion, ever oscillating, and since sound is a kind of vibration, we have the harmony of spheres built in from the ground up. There is a rhythm to the processes in nature too, from the planetary orbits down to the periodicity of atoms, to the beat of the heart and the circadian cycle. Harmony and rhythm seem to push through into the social world too, offering analogies for ordering (or disordering) societies. Therapeutic connections to health are becoming more apparent, with music able to control many bodily functions via the linkages between brain, heart, lungs, and other systems, which can treat illnesses caused by stress - or, inversely, music might trigger stress.
This volume presents both old and new approaches to the idea of the harmony of spheres, alternately returning to and revitalizing ancient ideas and taking entirely novel perspectives. Anchored in classical philosophy and religious sources, reflecting Muslim, Jewish, Sufi, Aboriginal, Alchemical/Hermetic/Occult, Kabbalistic, and Zoroastrian thought, this comprehensive work marks a timely reassessment of a perennial idea.
Contents
List of Illustrations
Acknowledgements
Editors' Introduction
I. Early, Medieval, and Renaissance
1. The Harmony of the Spheres in Late Antiquity and the Early Medieval Period in the East
Ken Parry (Macquarie University, Australia)
2. Music and Theoretic Awakening from Plato to Augustine
Eva Anagnostou-Laoutides (Macquarie University, Australia)
3. Apollo, The Sirens, and The Pregnant Weaver. Marsilio Ficino on Heavenly Music and Human Fate
Anna Corrias (Ralston College, Georgia)
II. Harmony, Disharmony, and the Demonic
4. Musicriminology: Disharmony, Dissent, and Dissonance
Murray Lee (University of Sydney, Australia)
5. Music as Harmony of Ontological Spheres: The Demonic in the Age of Artificial Intelligence
Goetz Richter (University of Sydney, Australia)
III. Health and Well-being
6. Music and Health: Embracing the Ineffability of Sound and Why It Matters
Ange Weinrabe (University of Sydney, Australia) & Eran Asoulin (Independent Scholar, Australia)
7. Disciplining Harmony: Disciplining Harmony: a transdisciplinary historical interrogation of the 'disciplining' of music in education, and its impact on music participation in society
Georgia Pike-Rowney (Australian National University, Australia)
IV. Perspectives on Space and Spheres
8. Bach and the Planets
Madeleine Easton (Bach Akademie Australia, Australia)
9. Reimagining the Music of the Spheres: An Art-Science Collaboration
Kim Cunio (Victoria University of Wellington, New Zealand), Nigel Meredith (British Antarctic Survey, UK), & Diana Scarborough (Independent Scholar,UK)
10. Celestial Harmonies of Sky Country in Australia and Oceania
Duane Hamacher (University of Melbourne, Australia), Rachel Morgain (University of Melbourne, Australia), & Gerhard Wiesenfeldt (University of Melbourne, Australia)
V. Esoteric Aspects
11. Music and the Sphere in Persian Unified Creative Practice
Malek Mohammadi Nejad Charghouyeh (Australian National University, Australia)
12. Trinity and Quaternity from Kepler-Fludd to Pauli-Jung
Harald Atmanspacher (ETH Zurich, Switzerland)
13. Music, Immortality, and the Soul
Dean Rickles (University of Sydney, Australia)
List of Contributors
Index
