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Description
(Text)
Schumann beschäftigte sich immer wieder mit der Form der Variation. Häufig lieferte er Gegenentwürfe zu jenen Variationen über populäre (Opern-)Themen, mit denen Klaviervirtuosen damals den Musikmarkt überschwemmten. Auch die "Impromptus" entstanden mit dem Wunsch, dass sie "mehr auf eine neue Form zu variiren angesehen werden mögen" - gleich zwei Themen werden hier kunstvoll miteinander verbunden. Obwohl sich Franz Liszt anerkennend geäußert hatte, nahm Schumann später noch einmal tiefgreifende Änderungen an seinem Opus 5 vor. Die "Impromptus" erscheinen nun - in beiden Fassungen - erstmals in unserem Katalog, wie immer mit einem informativen Textteil ausgestattet._
(Table of content)
Impromptus op. 5
(Text)
Schumann kept coming back to variation form. He often wrote his own variations in contrast to those on popular (operatic) themes, with which piano virtuosi of the time flooded the market.
The "Impromptus" were written with the desire that they "should be seen to be variations of a new form" - he even skilfully joined two themes together. Although Franz Liszt had been very positive about them, Schumann later again made a great many changes to his Opus 5. The "Impromptus" are now appearing - in both versions - in our catalogue for the first time, as always with an informative accompanying text._
(Table of content)
Impromptus op. 5
Schumann kept coming back to variation form. He often wrote his own variations in contrast to those on popular (operatic) themes, with which piano virtuosi of the time flooded the market. The "Impromptus" were written with the desire that they "should be seen to be variations of a new form" - he even skilfully joined two themes together. Although Franz Liszt had been very positive about them, Schumann later again made a great many changes to his Opus 5. The "Impromptus" are now appearing - in both versions - in our catalogue for the first time, as always with an informative accompanying text._
