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Full Description
Despite eye-opening discoveries, exhibitions, and performances, many valuable artefacts and documents of the performing arts continue to linger in oblivion. How do these sources affect our understanding and appreciation of the theatrical past? Which challenges and opportunities arise from their reuse in modern contexts, museal and non-museal? Theatrical Heritage addresses these and related issues from a broad perspective. In accessible essays written by theatre and music scholars, performers, directors, conservators, and administrators from Europe and the USA, new methods are advanced to reactivate the theatrical past.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contents
Preface
A Twenty-First-Century Plea for Vintage, Heritage-Friendly Theater
Bruno Forment
Part I In Light of the Theatrical Fact
Theaterfeuer or Sublime Horreur
Operatic Pyrotechnics in the Eighteenth Century
John A. Rice
Mechanical Rules versus Abnormis Gratia
Revaluing Gilbert Austin's Chironomia (1806) as a Source for Historical Acting Techniques
Jed Wentz
Playability
A Reinvention of Contemporary Lighting Practice Drawing on Fred Bentham's 1930s Light Console
Nick Hunt
Part II Reviving the Operatic Past
Divas, Arias, and Acrimony
The Revolving Door of Musical Resources for London's Italian Opera
Michael Burden
The Misadventures of Artaserse (Turin, 1760)
J. C. Bach's First Italian Opera from Production to Performance
Margaret R. Butler
The Mechanics of Magic (or Vice Versa)
Sigrid T'Hooft and the Historically Informed Performance of Opera
Bruno Forment
Affective Education and Performative Space
In Francesca Caccini's La liberazione di Ruggiero dall'isola d'Alcina (1625 and 2012)
Christine Fischer
Part III Theatrical Infrastructure Rebuilt, Endangered, and Lost Visualizing the Theatrical Past
The Virtual Reconstruction of Theatrical Heritage
Timothy De Paepe
The 'Bourla' in Antwerp
Machinery from 1834 on the Brink of Dismantling?
Jerome Maeckelbergh
O Tempora, O Mores
A Discourse of Neglect and Destruction
Frank Peeters
Part IV From Performance to Archive
An Empty Stage
Assessing the Value of Theatrical Collections
Riemer R. Knoop
The Document as Event
Assessing the Value of Digital Collections for Theatrical Heritage
Thomas Crombez
From the Conservation to the Production of Archives
The Portail des Arts de la Marionnette, Reference and Vehicle for New Ambitions in the Cultural Heritage of the Performing Arts
Raphaèle Fleury
Beyond the Archive
Safeguarding Theatrical Heritage: a Strategy for the Empowerment of Artistic Communities
Maarten De Pourcq & Staf Vos
Bibliography
Contributors' biographies
Index
Gallery with color plates
