Full Description
Harun Farocki, Jean-Luc Godard, Film Theory, Essay Film
Contents
Preface to the English Edition[-][-]IntroductionResearchers[-][-]I. Le Film qui pense[-][-]II. The Camera as Brush - Film as Painting[-][-]III. Deviation as Norm - Notes on the Essay Film[-][-]IV. Cut - Interlude in the Editing Room[-][-]V. Taking Pictures - Photography and Film[-][-]VI. Two or Three Ways of Speaking with the Hands[-][-]Conclusion[-][-]Notes[-][-]Bibliography[-][-]Acknowledgments[-][-]Illustration Credits[-][-]Index
