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Full Description
In this book the editors brought together outstanding articles concerning intercultural aesthetics. The concept 'Intercultural aesthetics' creates a home space for an artistic cross-fertilization between cultures, and for heterogeneity, but it is also firmly linked with the intercultural turn within Western and non-Western philosophy.
The book is divided into two parts, yet one can sense a clear unity throughout the whole book. This unity is related to the underlying subject that the different authors, each in their own way and from their own background, try to reveal. They use related, and overlapping terms such as 'the suchness of things', 'dancing and shaping lives', 'presenting a meaning beyond words, presenting the unpresentable, experiencing', in order to bring to our awareness the genuine importance of the non-conceptual, next to the conceptual. Several authors moreover take on a reflective, and at times even a self-reflective stance, pointing to the intrinsic relation between cultural aesthetics and ethics, making this book unique in its kind.
Contents
Intercultural Aesthetics: An Introduction.- An Intercultural Approach to a World Aesthetics.- Living - in between - Cultures.- Living (with) Art: The African Aesthetic Worldview as an Inspiration for the Western Philosophy of Art.- The Origins of Landscape Painting: An Intercultural Perspective.- Nishida, Aesthetics, and the Limits of Cultural Synthesis.- Identity and Hybridity - Chinese Culture and Aesthetics in the Age of Globalization.- The Rasa Theory: A Challenge for Intercultural Aesthetics.- Presenting the Unpresentable. On Trauma and Visual Art.- Visual Archives and the Holocaust: Christian Boltanski, Ydessa Hendeles and Peter Forgacs.- A Distant Laughter: The Poetics of Dislocation.- Where You End and I Begin - The Multiple Ethics of Contemporary Art Practice.- The Ethics of the Wound.
