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Contents
Early Modern Beckett/Beckett et le début de l'ère moderne
Introduction/Avant-propos
I. In Dialogue with Dramatists and Writers/En dialogue avec des auteurs dramatiques et des écrivains
Carla Taban: Le Molière de Beckett
Angela Moorjani: Beckett's Racinian Fictions: "Racine and the Modern Novel" Revisited
Danièle de Ruyter: Fascination de la tragédie Racinienne: résonances dans Oh les beaux jours
Arka Chattopadhyay: "Worst In Need Of Worse": King Lear, Worstward Ho and the Trajectory of Worsening
Julie Campbell: Allegories of Clarity and Obscurity: Bunyan's The Pilgrim's Progress and Beckett's Molloy
Seán Kennedy: Edmund Spenser, Famine Memory and the Discontents of Humanism in Endgame
Melanie Foehn: A Rhetoric of Discontinuity: On Stylistic Parallels between Pascal's Pensées and Samuel Beckett's L'Innommable
II. In Dialogue with Philosophers and Artists/En dialogue avec des philosophes et des artistes
Yoshiyuki Inoue: Cartesian Mechanics in Beckett's Fin de Partie
Layla M. Roesler: En compagnie d'une métaphysique parodique: Beckett lecteur de Descartes redux
Everett C. Frost: Beckett and Geulincx's Ethics: "...my Geulincx could only be a literary fantasia"
Naoya Mori: Beckett's Faint Cries: Leibniz's petites perceptions in First Love and Malone Dies
Claire Lozier: Présence de la sculpture funéraire des débuts de l'époque moderne dans l'œuvre narrative de Samuel Beckett: du motif artistique religieux à sa laïcisation scripturale
Joanne Shaw: Light and Darkness in Elsheimer, Caravaggio, Rembrandt and Beckett
Beckett Between/Beckett entre deux
Introduction
Dúnlaith Bird: Light, Landscape and Beckett
James Williams: Beckett between the Words: Punctuation and the Body in the English Prose
Alys Moody: The Non-Lieu of Hunger: Post-war Beckett and the Genealogies of Starvation
Dirk Van Hulle: The Extended Mind and Multiple Drafts: Beckett's Models of the Mind and the Postcognitivist Paradigm
Everett C. Frost: Beckett and Geulincx's Metaphysics: "Without knowing why exactly"
John Wall: "L'au-delà du dehors-dedans": Paradox, Space and Movement in Beckett
Lea Sinoimeri: "Ill-Told Ill-Heard": Aurality and Reading in Comment c'est/How It Is
Karine Germoni and Pascale Sardin: Tensions of the In-Between: Rhythm, Tonelessness and Lyricism in Fin de partie/Endgame
Iain Baily: Beckett, Bilingualism and the Bible
Garin Dowd: The Proxemics of "Neither"
Contributors/Auteurs
