Contents
Introductions
Anthony Uhlmann: Negative Allegory: Buning on Allegory and the Via Negativa
James Knowlson: Beckett and Seventeenth-Century Dutch and Flemish Art
Mary Bryden: Beckett, Maritain, and Merton: The Negative Way
Chris Ackerley: The Ideal Real: A Frustrated Impulse in Samuel Beckett's Writing
John Pilling: The Uses of Enchantment: Beckett and the Fairy Tale
Bruno Clément: Rire du pire
Enoch Brater: Beckett's Shades of the Color Gray
Lois Oppenheim: Re-Visiting Stasis in the Work of Samuel Beckett
Stan E. Gontarski: A Sense of Unending: Samuel Beckett's Eschatological Turn
Paul Lawley: The Excluded Child: Brian Friel's Faith Healer and Beckett's Endgame
Minako Okamuro: Beckett, Yeats, and Noh: ...but the clouds... as Theatre of Evocation
Dirk Van Hulle: Beckett's Principle of Reversibility: Chiasmus and the "Shape of Ideas"
Onno Kosters: "I Tell You Nothing is Known!" Watt as Beckett's Parting with Joyce
Angela Moorjani: André Gide Among the Parisian Ghosts in the "Anglo-Irish" Murphy
Sjef Houppermans: Beckett et Proust: mimétisme et matérialisation des images
Matthijs Engelberts: Et film devint littérature: "Un des plus beaux cauchemars" du combat entre littérature et cinéma
Contributors / Auteurs
