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基本説明
In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation.
Full Description
In this book, Michael Krausz addresses the concept of interpretation in the visual arts, the emotions, and the self. He examines competing ideals of interpretation, their ontological entanglements, reference frames, and the relation between elucidation and self-transformation.
The series Interpretation and Translation explores philosophical issues of interpretation and its cultural objects. It also addresses commensuration and understanding among languages, conceptual schemes, symbol systems, reference frames, and the like. The series publishes theoretical works drawn from philosophy, rhetoric, linguistics, anthropology, religious studies, art history, and musicology.
Contents
Preface
Acknowledgments
Introduction
Part One: Interpretation
Ideals of Interpretation
Singularism, Multiplism, and Their Differences
On the Idea of Multiplism
Intentionality and its Objects
On Imputation: Against Projectionism
Relativism and its Reference Frames
Constructive Realism: An Ontological Byway
Part Two: Transformation
Changing Reference Frames, Changing Emotions
Art and Self-Transformation: Creating and Becoming
Self-Transformation and Limits of Interpretation
Notes
Bibliography
About the Author
Index