Contents
INTRODUCTION
AVANT-PROPOS
PART 1: Three Dialogues
1. Steve BARFIELD: THE RESOURCES OF UNREPRESENTABILITY:
A Lacanian Glimpse of Beckett's Three Dialogues
2. David CUNNINGHAM: EX MIMESIS:
Greenberg, Modernism and Beckett's Three Dialogues
3. Andrew GIBSON: THREE DIALOGUES AND BECKETT'S TRAGIC ETHOS
4. David A. HATCH: "I AM MISTAKEN":
Surface and Subtext in Samuel Beckett's Three Dialogues
5. Lois OPPENHEIM: DISTURBING THE FEASIBLE: Object Representation in
Three Dialogues with Georges Duthuit
6. Jeremy PARROTT: "NOTHING NEATLY NAMED":
The Beckettian Aesthetic and Negative Theology
7. Philip TEW: THREE DIALOGUES AS A LAUGHABLE TEXT?:
Beckett's Bergsonian Comedy
PART 2: Beckett and Modern Theatre
8. Catherine LAWS: THE MUSIC OF BECKETT'S THEATRE
9. Aleks SIERZ: "A RELEVANT AND CINEMATIC ENVIRONMENT":
Filming Beckett's Plays
10. Paul B. KELLEY: DRAMA AND/AS THE PURSUIT OF NARRATIVE:
Cascando and Inferno XXIV
11. Garin DOWD: KARAOKE BECKETT, OR JEREMY IRONS, MIMICRY
AND TRAVESTY IN OHIO IMPROMPTU ON FILM
12. John DEAMER: AUTHORITY AND RESISTANCE: The Event in What Where
PART 3: Free Space
13. Jean-Pierre FERRINI : À PARTIR DU DÉSERT: Dante et l' «aphonie» de Virgile
dans "Le calmant" de Samuel Beckett
14. Darren GRIBBEN: SAMUEL BECKETT: NUMBER 465. Censorship of the Self
and Imagination in Beckett's Work After World War II
15. Chiara MONTINI : WATT ET LE QUATRAIN HÉROÏQUE OU LE CHAOS EN RIME CROISÉE
16. María José CARRERA: THE RUPTURE OF THE LINES OF COMMUNICATION BETWEEN SUBJECT AND OBJECT IN BECKETT'S FOUR NOVELLAS
17. Marie-Hélène BOBLET-VIART : TOPIQUE ROMANESQUE ET DÉCONSTRUCTION
NARRATIVE DANS MERCIER ET CAMIER
