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Volume 2 of A Comparative History of Literatures in the Iberian Peninsula brings to an end this collective work that aims at surveying the network of interliterary relations in the Iberian Peninsula. No attempt at such a comparative history of literatures in the Iberian Peninsula has been made until now. In this volume, the focus is placed on images (Section 1), genres (Section 2), forms of mediation (Section 3), and cultural studies and literary repertoires (Section 4). To these four sections an epilogue is added, in which specialists in literatures in the Iberian Peninsula, as well as in the (sub)disciplines of comparative history and comparative literary history, search for links between Volumes 1 and 2 from the point of view of general contributions to the field of Iberian comparative studies, and assess the entire project that now reaches completion with contributions from almost one hundred scholars.This volume is part of a book set which can be ordered at a special discount: https://www.benjamins.com/series/chlel/chlel.special_offer_chlip.pdf
Contents
1. Presidential Preface to Vol. 2 of A Comparative History of Literatures in the Iberian Peninsula (by Simonsen, Karen-Margrethe); 2. Introduction (by Dominguez, Cesar); 3. Section I. Images; 4. Inter(-in)ventions: Images of national identity in the literatures of the Iberian Peninsula (by Odartey-Wellington, Dorothy); 5. Galician literature and the imaginary: Functions and problems (by Figueroa, Anton); 6. "Catalonia is not Spain": Images of self and other in Catalan literature (by King, Stewart); 7. On the origins of images of gypsies (by Ortega, Araceli Canadas); 8. The others in Golden Age drama (by Mosquera, Santiago Fernandez); 9. Images of the "condemned" Europeans in the satiric works of Francisco de Quevedo (by Bertuzzi, Irene); 10. Vulnerability and the literary imagination in the Basque context: Julia Otxoa, Bernardo Atxaga, and Luisa Etxenike (by Martin, Annabel); 11. The odyssey of Spanish Jews: Un-homely Sefarad (by Garcia-Alvite, Dosinda); 12. Self-images and hetero-images in Portuguese youth literature (by Blockeel, Francesca); 13. Regional images and the struggle for life in Madrilenian literature (by Rivera, Enrique Fernandez); 14. Newcomers and host nations: Literary images associated with immigrants in Spanish fictional narrative (by Odartey-Wellington, Dorothy); 15. Section II. Genres; 16. Introduction: Laws and (inter-)texts (by de Abreu, Maria Fernanda); 17. Sefer ha-meshalim and the status of poetry in medieval Iberia (by Levy, Isabelle); 18. Pastoral. The pastoral romance (by Fraga, Maria do Ceu); 19. Books of chivalry: Outline of a genre (by Almeida, Isabel); 20. The sonnet in the Iberian Peninsula in the sixteenth century (by Dasilva, Xose Manuel); 21. The picaresque in Iberia and America (nineteenth to twentieth century) (by de Abreu, Maria Fernanda); 22. Religious and literary canons: Interferences and dissociations (sixteenth to eighteenth century) (by Santos, Zulmira C.); 23. The historical novel (by Marinho, Maria de Fatima); 24. The paths of a national idea of theatre in the Iberian Peninsula (by Camoes, Jose); 25. The novel of adultery in Peninsular realist narrative (by Losada Soler, Elena); 26. Writing of the self. Iberian diary writing (by Bou, Enric); 27. Texts and images in contemporary Spanish children's literature (by Gobbe-Mevellec, Euriell); 28. The essay (by Bou, Enric); 29. Section III. Forms of mediation; 30. Forms of mediation in the history of the literatures in the Iberian Peninsula (by Esteve, Cesc); 31. Imitatio, rewriting and tradition: Shields in Iberian epics (by Vila, Lara); 32. Translation and cultural mediation in the fifteenth-century Hispanic kingdoms: The case of the Catalan-speaking lands (by Pujol, Josep); 33. Paratexts and mediation: The case of Ausias March in the sixteenth century (by Esteve, Cesc); 34. Quis libri legendi. The canon and the forms of its assimilation in Renaissance rationes studiorum (by Nakladalova, Iveta); 35. Translation in diaspora: Sephardic Spanish-Hebrew translations in the sixteenth century (by Wacks, David); 36. The Atlantic-Iberian Enlightenment: On the imperial-colonial and Morisco-Basque mediations of the Spanish Enlightenment (by Gabilondo, Joseba); 37. The anthology as instrument of mediation (by Rabade, Maria); 38. Cultural nationalism and school (by Gines, Isabel Clua); 39. The recent systemic repositioning of literature in the French Basque Country: Origins of a literary subfield (by Apalategi, Ur); 40. Censorship and narrative at the crossroads in Spain and Portugal: An overview of the literature translated in periods of dictatorship in the Iberian Peninsula (by Gomez Castro, Cristina); 41. Section IV. Cultural studies and literary repertoires; 42. Forever young: Disciplinary anxiety, or the eternal (re)birth of Spanish cultural studies (by Abuin Gonzalez, Anxo); 43. Elements for a critique of the paraliterary novel in the Iberian Peninsula, 1860-1890 (by Diaz Lage, Santiago); 44. "Popular" spectacles in Spain during the Restoration (by Salaun, Serge); 45. The phenomenon of the bestseller in the Iberian Peninsula (by Vinas Piquer, David); 46. Postdigital fiction: Exit and memory (by Sierra, German); 47. The relationship between popular contemporary music and literature: some examples from the Iberian Peninsula (by Adell, Joan-Elies); 48. "Light changes the placement of things": Immigration, gender, and resistance in hip-hop music (by Villar, Maria do Cebreiro Rabade); 49. Notes on the cinematographic canon and its relation to the theory of genres in a Spanish and Portuguese context (by Perez Bowie, Jose Antonio); 50. Television in Spain and Portugal: From the public monopoly to the new transmedia environment (by Virino, Concepcion Cascajosa); 51. From the radio script to the sound script: An evolving/endangered species in Spain and Portugal (by Guarinos, Virginia); 52. Transformations of the graphic novel in Spain: the cases of Max and Miguelanxo Prado (by Merino, Ana); 53. Feminist, gender and LGBTQ studies in the Iberian Peninsula: A comparative panorama (by Farina Busto, Maria Jesus); 54. Epilogue; 55. A view from Basque literature: The historian who mistook his literature for an island (by Verbeke, Frederik); 56. A view from Catalan literature: Iberian studies as comparative literature in thick description mode (by Resina, Joan Ramon); 57. A view from Galician literature: The state and future of Galician studies in English-speaking academia (by Rei-Doval, Gabriel); 58. A view from Portuguese literature: Critical notes towards a transnational perspective (by de Medeiros, Paulo); 59. A view from Spanish literature. A new armed vision: Comparative literature in the Iberian Peninsula (by Gullon, German); 60. A view from comparative history. International comparison: A historian's approach (by Haupt, Heinz-Gerhard); 61. A view from comparative literary history, I: Comparative literature and literary history (by Seixo, Maria Alzira); 62. A view from comparative literary history, II: A comparative history of literatures in the Iberian Peninsula? (by Perez Isasi, Santiago); 63. References; 64. Bioprofiles; 65. Index
