Motus mixti et compositi: the Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 (Intersections)

Melion, Walter S. (EDT)/ Enenkel, Karl A.E. (EDT)

Brill（2024/06発売）

• 製本 Hardcover:ハードカバー版／ページ数 672 p.
• 言語 ENG
• 商品コード 9789004694606
• DDC分類 809.03

Full Description

This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion.

Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.

Contents

Acknowledgements

List of Illustrations

Notes on the Editors

Notes on the Contributors

1 Introduction: Motus mixti et compositi - the Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700

 Walter S. Melion

Part 1: Portraying Mixed Emotions in the Literary Arts

Section A: Mixed Emotions in Dutch and Latin Drama

2 All Motion Discovers Us: Moral Discernment and the Role of the Passions in Willem van Nieulandt's Nero (1618)

 Bart Ramakers

3 Staging the In-Between: Compound, Conflicting and Shifting Emotions in Seventeenth-Century Neo-Latin Drama from the Dutch Republic

 Lukas Reddemann

Section B: Mixed Emotions in Neo-Latin and French Poetry

4 Between Fleeting and Compound Emotions in Neo-Latin Lyric Poetry on 'Turks': Georgius Sisgoreus' Elegia de Sibenicensis agri vastatione

 Ludovica Sasso

5 Shifting Emotions in Neo-Latin Psalm Poetry and Erotic Elegy: George Buchanan and Janus Lernutius

 Carolin A. Giere

6 On Red and White Cheeks: Jakob Balde's Poetic Ekphrases on a Triptych by Christoph Schwarz in the Light of the Scholastic Theory of the Passions

 Aline Smeesters

7 Mixed Motives: the Art of Joachim Du Bellay, 1549-1558

 Tom Conley

Section C: Mixed Emotions in Prose Literature

8 Tears of Love and Sorrow: the Affective Regime of the European Pastoral Tradition

 Anita Traninger

9 'How We Weep and Laugh at the Same Thing': Conflicting Emotions in Rabelais and Montaigne

 Paul J. Smith

10 The Troubles of Christian Perfection: Berinzaga, Gagliardi, Borromeo

 Wietse de Boer

Part 2: Portraying Mixed Emotions in the Visual Arts

Section A: Mixed Emotions in Image-based Spiritual Exercises

11 O vos omnes: Recognition, Tragic Emotion, and the Passerby Topos in Northern European Art around 1500

 Mitchell Merback

12 Mixed Emotion and Spiritual Perfection in Abraham Bloemaert's Sylva anachoretica of 1619

 Walter S. Melion

13 Spiritual Joy in the Face of Death: Compound Emotions in Texts and Images of the Martyrs of the Japan Mission

 Raphaèle Preisinger

14 Materialities of Mixed Emotions and Spiritual Martyrdom between the Grand Duchy of Lithuania and Grand Duchy of Tuscany

 Ruth Sargent Noyes

Section B: Heuristic and Sanative Images of Mixed Emotions

15 Francisci chorda traxit ad se plurima corda: 'Drawing' the Heart's Emotions in Jan Provoost's Diptych of Christ Carrying the Cross

 Elliott D. Wise

16 'Symbolic Anatomies': Hendrick Goltzius and the Ambiguities of Early Modern Disability

 Barbara A. Kaminska

17 Exploring Complex Emotions through the Portrayal of Dialogic Exchange: Pieter Lastman's Paul and Barnabas in Lystra of 1617

 Graham R. Lea

18 Between Despair and Hope: Raising Emotions with Dutch Seventeenth-Century Marine Paintings and Prints

 Stijn Bussels and Bram Van Oostveldt

Index Nominum