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Full Description
Edward Albee as Theatrical and Dramatic Innovator offers eight essays and a major interview by important scholars in the field that explore this three-time Pulitzer prize-winning playwright's innovations as a dramatist and theatrical artist. They consider not only Albee's award-winning plays and his contributions to the evolution of modern American drama, but also his important influence to the American theatre as a whole, his connections to art and music, and his international influence in Spanish and Russian theatre.
Contributors: Jackson R. Bryer, Milbre Burch, David A. Crespy, Ramon Espejo-Romero, Nathan Hedman, Lincoln Konkle, Julia Listengarten, David Marcia, Ashley Raven, Parisa Shams, Valentine Vasak
Contents
Notes on Contributors
Editors' Introduction
David A. Crespy and Lincoln Konkle
Designing Edward/Edward Designing: A Brief History of Edward Albee's Role in Theatrical Design
David A. Crespy
Theatrical Thanatology: Direct Address, Gestural Storytelling, and the Triple Goddess in Three Plays about Dying by Edward Albee
Milbre Burch
The Glee of Vulnerability: Becoming Kin with Edward Albee's Goat
Parisa Shams
A Queer Reading of Love in Edward Albee's Counting the Ways
Ashley Raven
Albee Stages Secular Epiphany
Nathan Hedman
Art Is a Hammer: Aura, Textual Awareness, and Comedy in Albee
David Marcia
Affecting the Lives of "Others": The Journey of Albee's Plays in the Soviet Union
Julia Listengarten
The (Mis)Representation of Edward Albee in Spain, 1963-2010
Ramón Espejo Romero
Inside the Black Box: Albee's Visual Aesthetics of Obscurity
Valentine Vasak
"I Trap People": An Interview with Edward Albee
Jackson R. Bryer
Bibliography
Index
