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Full Description
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene's character in art and, in essence, the reinvention of her iconography from one generation to the next.
Contents
Acknowledgements... List of Contributors... List of Illustrations... Foreword... Susan Haskins Introduction... Michelle Erhardt and Amy Morris PART I ICONOGRAPHIC INVENTION IN THE LIFE OF MARY MAGDALENE 1. The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence. Michelle A. Erhardt 2. Mary Magdalene and Her Dear Sister: Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano). Joanne W. Anderson 3. The German Iconography of the Saint Magdalene Altarpiece: Documenting Its Context. Amy M. Morris PART II MARY MAGDALENE AS THE REFORMED SINNER 4. The Printed Penitent: Magdalene Imagery and Prostitution Reform in Early Modern Italian Chapbooks and Broadsheets. Rachel Geschwind 5. Tintoretto's New Vision of Mary Magdalene and Mary of Egypt at the Scuola Grande di San Rocco, Venice. Elizabeth Carroll Consavari 6. Irony and Realism in Caravaggio's Penitent Magdalene. Patrick Hunt PART III NOLI ME TANGERE: MARY MAGDALENE, THE WITNESS 7. The Gaze in the Garden: Mary Magdalene in the Noli me tangere Barbara Baert 8. Michelangelo's Noli me tangere for Vittoria Colonna, and the Changing Status of Women in Renaissance Italy. Lisa M. Rafanelli 9. Woman, Why Weepest Thou? Rembrandt's 1638 Noli me tangere as a Dutch Calvinist Visual Typology. Bobbi Dykema PART IV PATRONAGE AND PRIVILEGE: THE MAGDALENE AS GUARDIAN AND ADVOCATE 10. The Magdalene and 'Madame': Piety Politics and Personal Agenda in Louise of Savoy's Vie de la Magdalene. Barbara J. Johnston 11. Mary Magdalene Between Public Cult and Personal Devotion in Correggio's Noli me tangere. Margaret Morse 12. Reflections on a Glass Madeleine Penitente Jane Eade PART V FUSION AND FLEXIBILITY: THE MAGDALENE'S ROLE TRANSFORMED 13. Exorcism in the Iconography of Mary Magdalene. Andrea Begel 14. "Woman, Why Weepest Thou?" Mary Magdalene, the Virgin Mary and the Transformative Power of Holy Tears in Late Medieval Devotional Painting Vibeke Olson 15. Mary Magdalene and the Iconography of Domesticity. Annette LeZotte 16. Marketing Mary Magdalene in Early Modern Northern European Prints and Paintings. Michelle Moseley-Christian Bibliography Index
