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基本説明
Catalog of an exhibition held at the Museo nazionale del Bargello, Florence, Italy, April 21-July 31, 2021.
Full Description
The exhibition An Ancient and Honorable Citizen of Florence - The Bargello and Dante, sponsored by the Comitato Nazionale per le Celebrazioni del 700o Anniversario della morte di Dante Alighieri, is the result of the inter-institutional partnership between the Musei del Bargello and the Università di Firenze, and sees the collaboration between the Departments of Literature and Philosophy (DILEF) and of History, Archaeology, Geography, Art and Entertainment (SAGAS) of the University of Florence. The Bargello is Dante's place par excellence in Florence: here you can find the oldest portrait of Dante, painted by Giotto and his work in 1337, a period during which the Divina Commedia was being spread throughout the city. The catalogue - rich with essays and extracts by numerous specialists - illustrates the complex link between Dante, his work and Florence, analysing the dense network of relationships between painters, illuminators, copyists and commentators, engaged in an unprecedented editorial and artistic enterprise. The volume is enriched with illustrations of the works on display and illuminated manuscripts, as well as a precious final photographic atlas of the murals in the Podestà chapel, which houses the poet's portrait. Dante was very often a frequenter of the different rooms as a prior of the Bargello and in these same rooms he received both his sentence of exile, and his sentence to death (March 10, 1302). The reconstruction of the delicate relationship between the Poet and Florence assumes an importance that goes far beyond city borders, indelibly investing the history of Dante's fortune and the way in which we still look at him and his work today.
Contents
Presentations
Luca Azzetta, Sonia Chiodo, Teresa De Robertis, Introduction
Sonia Chiodo, Dante, Giotto and the "Comedy" Fragments of a possible discourse in the paintings of the Podestà Chapel
Andrea De Marchi, Giotto "magister et gubernator" in the service of the city. His school and the reconstruction of Florentine communal identity following the 1333 flood
Andrea Zorzi, Events in Florence between Dante's convictionand the expulsion of the Duke of Athens
Luca Azzetta, Dante's return to Florence
Giuliano Milani, Florence, Giovanni Villani, and Dante in the second quarter of the 14th century
Teresa De Robertis, Dante as a book
Giovanna Frosini, Stability and change in the language of Florence before the plague
CATALOGUE
Places of condemnation, time for redemption
Sonia Chiodo, Justice and charity, condemnation and nemesis
Dante and the Comedy in Florence in the 1330s and 1340s
Francesca Pasut, The invention of a canon
Artists and scribes of the Comedy
III.1 Sonia Chiodo, Stories told through images by Pacino di Bonaguida and the Master of the Dominican Effigies
III.2 Teresa De Robertis, Francesco di ser Nardo da Barberino
III.3 Irene Ceccherini, A widespread scriptorium: scribes and notaries
Reading Dante in Florence
IV.1. Andrea Mazzucchi, Florentine commentaries: from the "Chiose Palatine" to Andrea Lancia
IV.2. Marco Petoletti, Circulation of books and reading of the classics (alongside the "Comedy")
The construction of memory
Monica Berté, The biography of Dante: history and legend
The language of documents in Florence after Dante
Giovanna Frosini, Florentine texts relating to the market, arts and sciences after Dante
atlas. The paintings in the Podestà Chapel
Bibliographical references 351
Index of manuscripts and archive documents371
Index of names and anonymous works
Photographic credits
