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Full Description
The faithfully reproduced drawings from Melanesia and of South-east Asia were created in the 1930's during feeldstudies of the then renown Viennese ethnologist and ethnophotographer Hugo A. Bernatzik (1897-1953). The related writings convey a pluridisciplinary approach to the exceptional and multilayered quality of those folios. The ethnologist, Jacques Ivanoff, situates the drawings within the scope of a transcultural, long time dynamic of ethnicity; the anthropologist, Manfred Faßler, focuses on the drawings as being an inherent medium of mankind; and the artist and philosopher, Elisabeth von Samsonow, analyses the relationship between the empty sheet as "pure potentiality" and the "choreographic nature of the line". The various positions are by no means competing, but are alternatively stimulating. At once these reflections on the Drawing as Universal Language lead to the possibilities and limits of Mans' knowledge of Man.
Contents
Doris Byer: Einführung: Verschlungene Wege, gerichtete Linien, notwenige Distanzen. / Introduction: Entangled trails, neat lines, necessary distances. - Jacques Ivanoff , Christian Coiffier ,Thierry Léjard: Ein neuer Blick auf Ethnizität und Geschichte durch die Zeichnungen aus der Sammlung Hugo Bernatzik. / A New Vision of Ethnic History Through the Drawings Collected by Hugo Bernatzik. - Elisabeth von Samsonow: "Der gewundene Buschpfad ins Lager". / "The meandering bushtrail to the camp". - Die Zeichnungen. The drawings. - Manfred Faßler: Schöne zweite Welt. / Beautiful Second World. - Christian Reder: Die Fähigkeit, zeichnend zu visualisieren. / The Capacity for Visualization Through Drawing. - Anhang / Annex: Bibliographie / Bibliography. Nachweise / Credits. Autorinnen und Autoren / Authors.