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The Time of Joseph Haydn: From Sultan Mahmud I to Sultan Mahmud II (r.1730-1839) , the second volume of Ottoman Empire and European Theatre , explores the relationship between Western playwrights, composers and visual artists of the eighteenth-century and Turkish-Ottoman culture, as well as the interest of Ottoman artists in European culture. Twenty-seven contributions by renowned experts shed light on the mutual influences that affected society and art for both Europeans and Ottomans. Successor to the first volume of the series, The Age of Mozart and Sultan Selim III (1756-1808) , this book examines the compositions of Joseph Haydn (1732-1809) and his contemporaries along with events in the Ottoman political era during the time span from Sultan Mahmud I (b.1696, r.1730-1754) to Sultan Mahmud II (b.1785, r.1808-1839). Taking Haydn's Türkenopern ('Turkish operas') Lo speziale (1768) and L'incontro improvviso (1775) as the departure point, the articles collected in this publication reflect the growth of research in the area of cultural transfers between the Ottoman Empire and non-Ottoman Europe, as expressed in theatre, music and the visual arts.
ContentsOuvertureMichael Hüttler (Vienna) and Hans Ernst Weidinger (Vienna/Florence): EditorialForewordsPrologue: PoliticsMehmet Alaaddin Yalçinkaya (Trabzon): The Recruitment of European Experts for Service in the Ottoman Empire (1732-1808)Bertrand Michael Buchmann (Vienna): Austria and the Ottoman Empire between 1765 and 1815Act I: Fashion and DiplomacyAnnemarie Bönsch (Vienna): From Aristocratic to Bourgeois Fashion in the Second Half of the Eighteenth CenturySuna Suner (Vienna): Of Messengers, Messages and Memoirs: Opera and the Eighteenth-Century Ottoman Envoys and Their SefâretnâmesÇetin Sarikartal (Istanbul): Two Turkish-Language Plays Written by Europeans at the Academy of Oriental Languages in Vienna During the Age of HaydnIntermezzo IWalter Puchner (Athens): Karagöz and the History of Ottoman Shadow Theatre in the Balkans from the Seventeenth to the Twentieth Centuries: Diffusion, Functions and AssimilationsAct II: Books in and about the Ottoman EmpireOrlin Sabev (Orhan Salih, Sofia): European Printers in Istanbul During Joseph Haydns's Era: Ibrahim Müteferrika and OthersGeoffrey Roper (London): Music, Drama and Orientalism in Print: Joseph von Kurzböck (1736-1792), His Predecessors and ContemporariesReinhard Buchberger (Vienna): The Austro-Turkish War of 1788-1791 as Reflected in the Library of the Viennese Bibliophile Max von PortheimIntermezzo IIKäthe Springer-Dissmann (Vienna): Did Mozart Drive a 'Haydn'? Cartwrights, Carriages and the Postal System in the Austrian-Hungarian Border Area up to the Eighteenth CenturyAct III: The Esterház StageLarry Wolff (New York): Turkish Travesty in European Opera: Haydn's Lo speziale (1768)Caryl Clark (Toronto): Encountering 'Others' in Haydn's Lo speziale (1768)Necla Çikigil (Ankara): Haydn's Humour Reflected in Lo speziale (1768) and L'incontro improvviso (1775)Matthew Head (London): Interpreting 'Abduction' Opera: Haydn's L'incontro improvviso, Sovereignty and the Esterház Festival of 1775Intermezzo IIIClemens Zoidl (Vienna): A Royals' Journey in 1775: The Vienna Official Press ReviewAct IV: The French InfluenceDaniel Winkler (Vienna): Crusaders, Love and Tolerance: Tragic and Operatic Taste in and Around Voltaire's Zaïre (1732)Hans-Peter Kellner (Copenhagen): The Sultan of Denmark: Voltaire's Zaïre and King Christian VII (r.1766-1808) - Madness and EnlightenmentBent Holm (Copenhagen): Occidental Portraits in Oriental Mirrors: The Ruler Image in the Eighteenth-Century Türkenoper and Gluck's iLa Rencontre ImprévueIsabelle Moindrot (Tours): Tamerlan: A 'Turkish' Opera by Peter von Winter for the Paris Opera (1802)Intermezzo IVNetice Yildiz (North Cyprus): Turkish Britons and Ottoman Turks in England During the Eighteenth CenturyAct V: The Ottoman StageGünsel Renda (Istanbul): Westernisms and Ottoman Visual Culture: Wall PaintingsCaroline Herfert (Vienna): Selim III and Mahmud II in the Limelight: Imparting Knowledge on the Ottoman Empire from the Perspective of the 'Viennese Turk' Murad Efendi (1836-1881)Emre Araci (London): "Each Villa on the Bosphorus Looks a Screen | New Painted, Or a Pretty Opera Scene": Mahmud II (r.1808-1839) Setting the Ottoman Stage for Italian Opera and Viennese MusicAdam Mestyan (Cambridge/MA): Sound, Military Music, and Opera in Egypt during the Rule of Mehmet Ali Pasha (r.1805-1848)Epilogue"The Ladies of Vienna En Masse Waited Upon the Turkish Ambassador to Compliment Him ...": Excerpts From Frances Trollope's Vienna and the Austrians (1838)AppendixIndexCurricula Vitae
