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Description
Musicology, the Arts and the New Normal is a Festschrift in honour of Professor Solomon Oziakpono Ikibe, distinguished scholar of Ethnomusicology and Theatrical Musicology. Bringing together 26 peer-reviewed contributions from scholars across Africa and beyond, this volume explores the rich intersections of music, culture, and contemporary society. The essays span a wide range of themes - from ecomusicology and ethnomusicology to music and religion, theatrical musicology, digital media, and gender in African musical performance. Rooted in Nigerian and broader African contexts, the collection engages with questions of identity, tradition, and transformation in the arts at a time of global change. Together, these contributions stand as both a scholarly tribute to Professor Ikibe's enduring legacy and a vital reference for researchers and students in African musicology and the performing arts. Olusegun Stephen Titus is an Associate Professor at the Department of Music, Obafemi Awolowo University, Nigeria. He obtained a PhD in Musicology from the University of Ibadan. His research focuses on ecomusicology, music and migration, music and infrastructure, and music and pandemic. He is a Fellow of IFRA-Nigeria (2012), a Leventis Fellow and Visiting Scholar at the University of London (2014), an AfOx-TORCH Fellow and Visiting Scholar at Oxford University (2019), an ACLS/AHP Fellow (2020), and a Carson Fellow and Visiting Scholar at Ludwig Maximilian University Munich. He is currently an Alexander von Humboldt Foundation Experienced Fellow and Visiting Scholar at the Department of Literature, Arts and Media Studies and the Centre for Cultural Enquiry, Konstanz University, Germany. Christopher Omotosho holds a PhD and a Master's degree in Performing Arts, both from the University of Ilorin. He was the founding Head of Department of Theatre Arts at F.C.E. Okene. He is a Chief Lecturer and currently Dean of the School of Arts and Social Sciences, Federal College of Education, Okene, Nigeria. His research interest in music pedagogy focuses on music theory and performance. Oghenevwarho Gabriel Ojakovo is an Assistant Professor of Music and Director of the Centre for African Diaspora Sacred Music and Musicians at California State University, Dominguez Hills. His research interest centers on the intersection of religion and music-making in Africa and the diaspora performance space and its contribution to negotiating and renegotiating the complexities that affect the lived experiences of Africans in the homeland and diaspora. Stephen Ogheneruro Okpadah is a Chancellor International PhD Scholar at the University of Warwick, Coventry, United Kingdom, researching participatory theatre and climate justice in the context of the Niger Delta region of Nigeria. His project draws on Theatre for Development to create community-based performances that advocate for climate justice. He won the 2021 Janusz Korczak/UNESCO Prize for the Global South in the emerging scholar category. He is Director of Research at the Theatre Emissary International, Nigeria, and a non-resident Research Associate at the Centre for Socially Engaged Theatre, University of Regina, Canada. Taiye Shola Adeola is a musician and theologian. He is a Reader at the Department of Performing Arts, University of Ilorin, Nigeria, where he teaches music, and a Baptist clergy. As a music sociologist, he has conducted research on Dadakuada music, Nigerian Gospel music, and Nigerian popular music, focusing on the intersection of music, popular culture, and religion. He is a composer, conductor, and music director.
