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aus dem Klappentext:Just as Benedetto Croce cleared the way to the individual, concrete work of art by demolishing the doctrine of artistic form, so the purpose of my analyses so far has been to clear the way to the work of art by demolishing the doctrine which would assign art to a distinct domain. The common programmatic aim of these analyses has been to further the process of integration in scholarship, which increasingly transgresses the rigid disciplinary boundaries that characterized its practice in the last century. They do so through a study of the work of art which sees in it an integral expression of the religious, metaphysical, political, and economic tendencies of its age that will not in any sense be pigeonholed.Walter Benjamin
(Table of content)
Preface - Madeleine KastenList of AbbreviationsDIALETICS AT A STANDSTILL: BENJAMIN'S "DENKBILDER"Benjamin's Thougt-Images in Einbahnstraße - Gustan AsselbergsSichtlich sich verbergend: Die Autor-Figur des Passagen-Werks - Wolfram Malte FuesLIMINAL FIGURES: CHILD AND FLANEURThe Child at the Threshold: Walter Benjamin's Berliner Kindheit um 1900 - Corina StanThe Flâneur and the Socio-Economic Critique - Nassima SahraouiUNSIGHTLY FIGURESWalter Benjamin's Figures of De-Figuration: The Barbarian, the Destructive Character, and the Monster - Sami R. KhatibANGELS AND HISTORIANSClosing Time: Benjamin, Temporality, and the Problem of Political Organization - Bennett CarpenterOf Fish and Men: Benjamin's Allegorist and the Meaning of Life - Madeleine KastenWalter Benjamin on Charlie Chaplin: The Rehabilitation of the Allegorical in Modernity - Daniel MourenzaTHE NARRATOR AND THE POLITICS OF SENSES"Drawing o an Unlikely Source": The "Erzähler", the Islamic Revival, and Benjamin's Philosophy of Language - Ton GroenewegTRANSLATION BETWEEN FOREIGNNESS AND KINSHIPBleakness in the Age of Google: Walter Benjamin and the Possibility of Redemptive Translation - Orr ScharfWalter Benjamin's Translator/Critic as a Model for Transcultural Thought and Practice - Gisela Brinker-GablerTHE TASK OF CRITICLektüre als Opfer: Der Kritiker in "Wider ein Meisterwerk" und dem Trauerspielbuch - Anna WotkowiczTHE RIGHTEOUS AS MEDIATOR OF LINGUISTIC EXPERIENCE"Im Anfang war das Wort": Von Adam, zwei Bäumen und dem Gerechten - Gerard VisserAbout the AuthorsIndices
