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Description
(Short description)
The piece brings into prominence the cinquillo, a rhythmic cell that is considered to be of great significance in traditional Cuban music. In its original form, this style of music did not feature improvisations, but the theme melts into a "son montuno", which then allows room for improvised solos.Besetzung:2 Klarinetten und Klavier
(Text)
Dieses Stück ist einem der einflussreichsten Flötisten Kubas, Barbarito Torres, gewidmet. Die Contradanza, ein typischer kubanischer Musikstil des frühen 19. Jahrhunderts, ist üblicherweise im Zweiertakt notiert und hat aufgrund ihres flotten Tempos einen fröhlichen Charakter. Das Stück hebt den Cinquillo hervor, den charakteristischen Rhythmus, dem große Bedeutung in der traditionellen kubanischen Musik beigemessen wird. In seiner ursprünglichen Form wies dieser Musikstil keine Improvisationen auf; dafür geht das Thema in einen "son montuno" über, der dann Raum für improvisierte Soli bietet.Schwierigkeitsgrad: 3
(Short description)
The piece brings into prominence the cinquillo, a rhythmic cell that is considered to be of great significance in traditional Cuban music. In its original form, this style of music did not feature improvisations, but the theme melts into a "son montuno", which then allows room for improvised solos.Besetzung:2 clarinets and piano
(Text)
Barbarito's Dance is dedicated to one of the most important Cuban flute players, Barbarito Torres. The contradanza, a Cuban music style typical of the early 19th century, was influenced by French salon music and ranked among those dance rhythms that were most popular with the Cuban high society of those days. It is generally notated in binary form and has a cheerful character due to its lively pace. The piece brings into prominence the cinquillo, a rhythmic cell that is considered to be of great significance in traditional Cuban music. In its original form, this style of music did not feature improvisations; yet, the theme on hand notated in a tempo characteristic of the contradanza melts into a son montuno, which then provides the basis for the execution of improvised solos. For want of opportunities to improvise, the composition includes various solistic cycles written for the two clarinets, emphasizing - between phrases and rhythmic cells - those aspects that are essential to the performance of Cuban music.Instrumentation:2 clarinets and piano
