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Description
With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces.Volume 1 contains both frequently played educational works by Bach and lesser known pieces by Handel and Scarlatti, Volume 2 compositions by Haydn and Mozart as well as musically and educationally attractive pieces by Cimarosa. Volume 3 (scheduled for publication in summer 2013) contains pieces by Beethoven, Schubert and Hummel, Volume 4 (scheduled for publication in early 2014) works by Schumann, Brahms and Theodor Kirchner. Further volumes are being planned.Instrumentation:piano J. Haydn: Rondo in Es (Hob. I:85/I) - J. Haydn: Menuetto in B (Hob. I:85/III) - J. Haydn: Adagio in F (Hob. XVII:9) - J. Haydn: Allegro in B (Hob. XXVIII:8/I) - J. Haydn: Andante in A (Hob. I:53/II) - J. Haydn: Sonate in G (Hob. XVI:8) - J. Haydn: Menuet in A (Hob. XVI:26/II) - J. Haydn: Sonate in F (Hob. XVI:9) - W.A. Mozart: Allegro in F (KV 15a) - W.A. Mozart: Presto in B (KV 15II) - W.A. Mozart: Pimpinella (KV 33B) - W.A. Mozart: Thema in Es (KV 236) - W.A. Mozart: Andante in G (KV 545/II) - W.A. Mozart: Adagio in C (KV 356) - W.A. Mozart: Trauermarsch in c (KV 453a) - D. Cimarosa: Sonata in D (C. 8) - D. Cimarosa: Sonata in d (C. 9) - D. Cimarosa: Sonata in d (C. 17) - D. Cimarosa: Sonata in A (C. 21) - D. Cimarosa: Sonata in C (C. 50) - D. Cimarosa: Sonata in g (C. 33) - D. Cimarosa: Sonata in c (C. 66) - D. Cimarosa: Sonata in Es (C. 67) - D. Cimarosa: Sonata in c (C. 68) - D. Cimarosa: Sonata in A (C. 2) Wolfgang Amadeus Mozart wurde als Sohn von Leopold Mozart in Salzburg geboren. Er unternahm bereits in jungen Jahren mit seinem Vater und seiner Schwester Konzertreisen durch ganz Europa und wurde dadurch als Wunderkind berühmt. 1769 trat er in den Dienst des Erzbischofs in Salzburg ein. Ab 1781 lebte Mozart in Wien, wo er seine größten Erfolge als Opernkomponist feiern konnte.
