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Description
(Short description)
This book tries to redefine the boundaries of art history and literary history, committing to literature the task of both detailing and distinguishing the major Western scopic regimes. A redefinition of the boundaries of art history and literary history
(Text)
This book analyzes the interplay of gazes, optical devices and images in literature. Following the developments of Visual Culture studies, literary theory has expanded its original field of investigation and addresses, beyond the traditional relationship between the verbal and the visual, the influence that gazes, optical devices and images can have on literary texts. This research tries to define the literary lives of the scopic regimes of modernity: the gazes of English early modern women's writing, the optical devices in German literature between Classicism and Romanticism, and the images of the mineral world in modern French aesthetics.
(Short description)
A redefinition of the boundaries of art history and literary history This book tries to redefine the boundaries of art history and literary history, committing to literature the task of both detailing and distinguishing the major Western scopic regimes.
(Text)
This book analyzes the interviewing of gazes, optical devices and images in literature. Literary theory has expanded its original field of investigation addressing not only the traditional relationship between the visual and the verbal, but questioning about the influence that gazes, optical devices and images can have on literary texts.This research tries to define the way in which diverse cultures have addressed the question of the scopic regimes of modernity: the gazes of English early modern women writers, the optical devices in the German literature of the age of Hoffmann, and the natural images described by twenty century French authors.
(Author portrait)
Prof Dr Valeria Cammarata teaches Comparative Literature, Visual Culture and Cultural Studies at the University of Palermo.