Phenomenology of Productive Imagination: Embodiment, Language, Subjectivity (Body and Consciousness)

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Phenomenology of Productive Imagination: Embodiment, Language, Subjectivity (Body and Consciousness)

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  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 318 p.
  • 言語 ENG
  • 商品コード 9783838215525
  • DDC分類 128.3

Full Description

Although productive imagination has played a highly significant role in (post-) Kantian philosophy, there have been very few book-length studies explicitly dedicated to its analysis. In his new book, Saulius Geniusas develops a phenomenology of productive imagination while relying on those resources that we come across in Edmund Husserl's, Max Scheler's, Martin Heidegger's, Ernst Cassirer's, Miki Kiyoshi's, Jean-Paul Sartre's, Maurice Merleau-Ponty's, and Paul Ricoeur's writings, while also engaging in present-day philosophical discussions of the imagination. Investigating the relation between imagination and embodiment, affectivity, perception, language, selfhood, and intersubjectivity, the book provides a phenomenological conception of productive imagination, which is committed to basic phenomenological principles and which is sensitive to how productive imagination has been conceptualized in the history of phenomenology. Against such a background, Geniusas develops a new conception of productive imagination:It isa basic modality of intentionality that indirectly shapes the human experience of the world by forming the contours of action, intuition, knowledge, and understanding. It is not so much a blind and indispensable function of the soul, but an artconcealed in the body, for it springs out of instincts, drives, desires, and needs. The author discloses the unexpected ways in which phenomenology of productive imagination enriches our understanding of embodied subjectivity.

Contents

Introduction; What is Productive Imagination? From Kant to Phenomenology; What is Productive about Reproductive Imagination? Edmund Husserls Phenomenology of Phantasy and the Constitution of Cultural Worlds; Between Phenomenology, Pragmatism and Metaphysics: Max Schelers Concept of Productive Phantasy; Between Phenomenology, Ontology and Philosophy of Culture: Productive Imagination and the Cassirer-Heidegger Disputation; From Phenomenology to the Kyoto School: Miki Kiyoshi and the Logic of Imagination; From the Phenomenology of the Body to the Ontology of the Flesh: Maurice Merleau-Ponty and Embodied Imagination; From Phenomenology to Hermeneutics: Paul Ricurs Philosophy of Productive Imagination; From Jean-Paul Sartre to Paul Ricur: Ricurs Lectures on Imagination Revisited; Productive Imagination and Embodiment; Conclusion; References; Index.

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