Otherness as Lyric Writing : The German-Language Poet José F. A. Oliver (2024. 256 S. 23.5 cm)

個数:

Otherness as Lyric Writing : The German-Language Poet José F. A. Oliver (2024. 256 S. 23.5 cm)

  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版
  • 商品コード 9783826086779

Description


(Text)
This is the first monograph devoted to José F. A. Oliver, the prolific poet, essayist, and translator born in Hausach, Germany, in 1961. The recipient of prestigious awards for poetry, Oliver servesas the current president of the PEN Centre Germany. Through close readings of poems and essays, this study focuses on Oliver's intricate yet lyrical aesthetics and the inspiration he draws from fellow poets, primarily Federico García Lorca and Friederike Mayröcker. It delves into major motifs and themes, emphasising the self's encounter with otherness in identity, homeland, and language, and explores the transformative tropes of the city, love, and death. This inquiry includes duende , the elusive spirit that animates flamenco, the transcendent poetics of 'solace', and the lingual, cultural, and post-identitarian hybridity evolving from a nomadic mindset. The monograph also addresses the flâneur's attempt at reading the modern metropolis, Heimat 's conundrum of (violent) exclusion and (viable) inclusion, the notion of love as an 'untouchable closeness', the salvific trope of Orpheus, and the polyphonic ethics of multilingualism. Among others, this study relies conceptually upon Bernhard Waldenfels's phenomenology of foreignness, Rosi Braidotti's theory of nomadism, Plato's disquisition on love, Roland Barthes's explication of mourning, Homi Bhabha's notion ofa 'Third Space', Franz Hessel's paradigm of flânerie, and the allegory of the Dance of Death and its gendering of death figures. Oliver's use of unconventional poetic devices pushes the boundaries of language and readability. With polyvalent lyric interventions, he confronts homogeneity and discrimination, urging readers to exercise their political consciousness. This study is for students of German avant-garde poetry and readers interested in questions raised by nomadic theory and topics such as intersectionality and multilingual identity.
(Author portrait)
Franz R. Kempf is Professor Emeritus of German Studies at Bard College.Numerous publications

最近チェックした商品