- ホーム
- > 洋書
- > ドイツ書
- > Humanities, Arts & Music
- > Music
- > history of music
Description
Phonograph cylinder, shellac record, wire recording, LP, maxi, tape, compact cassette, VHS, Betacam, CompactDisc, MiniDisc, iPod, and - possibly once again - "vinyl." Each carrier medium for audio and video recordings as well as the associated formats, playing devices and practices seem to have their own
lifespan, they are ousted by more successful formats or replaced by new, more innovative formats. However, obsolete media do not simply disappear, but often find a new place in cultural and social niches and undergo changes in their use. The contributions in this book bring together very different examples and media, but also represent various disciplines, from cultural studies and philological approaches to musicological questions and archival and conservation research. Phonograph cylinder, shellac record, wire recording, LP, maxi, tape, compact cassette, VHS, Betacam, CompactDisc, MiniDisc, iPod, and - possibly once again - "vinyl." Each carrier medium for audio and video recordings as well as the associated formats, playing devices and practices seem to have their own
lifespan, they are ousted by more successful formats or replaced by new, more innovative formats. However, obsolete media do not simply disappear, but often find a new place in cultural and social niches and undergo changes in their use. The contributions in this book bring together very different examples and media, but also represent various disciplines, from cultural studies and philological approaches to musicological questions and archival and conservation research. Knut Holtsträter, Dr. phil., Musikwissenschaftler, Theaterwissenschaftler, von 2002 bis 2006 wissenschaftlicher Mitarbeiter am Institut für Musikwissenschaft Weimar-Jena, von 2007 bis 2015 Akademischer Rat auf Zeit am Forschungsinstitut für Musiktheater der Universität Bayreuth und Assistent des Lehrstuhls "Theaterwissenschaft unter besonderer Berücksichtigung des Musiktheaters", von 2014 bis 2015 Vertretung der Professur Musikwissenschaft an der Universität Bayreuth. Seit Mai 2015 Wissenschaftlicher Mitarbeiter am Zentrum für Populäre Kultur und Musik (Albert-Ludwigs-Universität Freiburg). Schwerpunkte: Musiktheater und Musik im 19. und 20. Jahrhundert, Populäre Musik, Musik und ihre Aufführung in Film, Fernsehen, Radio und auf Schallträgern.
