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Description
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Claude-François Ménestrier (1631-1705), Jesuit, polymath, organiser of festivals, princes' entries, and ballets, and author of over 150 writings on emblem-atics, numismatics, heraldry, and a wide variety of festivals and public spectacles, must be considered one of the most in_uential early modern theoreticians on images, festivals and the performing arts. His work aims to provide a comprehensive overview of mental and material images. This trilingual anthology (in English, French, and German) is the first to present excerpts of Ménestrier's theoretical writings on festivals and the performing arts in a modern edition. The excerpts are preceded by introductions written by internationally renowned scholars of the early modern period.
(Author portrait)
(Author portrait)
ellenzcluster "Kulturelle Grundlagen der Integration" der Universität Konstanz, das sie mit einer Arbeit zu Auftrittsformen in der Französischen Oper des 17. und 18. Jahrhunderts abschloss. Sie ist als Geigerin und Bratschistin tätig und forscht im Projekt "Die Visualität der Barockoper" des NFS "eikones" der Universität Basel.