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Classic from the year 2009 in the subject Romance Languages - French Literature, , language: English, abstract: BOOK SIXTH - LE PETIT-PICPUSCHAPTER I. NUMBER 62 RUE PETIT-PICPUSNothing, half a century ago, more resembled every other carriage gate than the carriage gate of Number 62 Rue Petit-Picpus. This entrance, which usually stood ajar in the most inviting fashion, permitted a view of two things, neither of which have anything very funereal about them,--a courtyard surrounded by walls hung with vines, and the face of a lounging porter. Above the wall, at the bottom of the court, tall trees were visible. When a ray of sunlight enlivened the courtyard, when a glass of wine cheered up the porter, it was difficult to pass Number 62 Little Picpus Street without carrying away a smiling impression of it. Nevertheless, it was a sombre place of which one had had a glimpse.[...]BOOK SEVENTH. PARENTHESISCHAPTER I. THE CONVENT AS AN ABSTRACT IDEAThis book is a drama, whose leading personage is the Infinite.Man is the second.Such being the case, and a convent having happened to be on our road, it has been our duty to enter it. Why? Because the convent, which is common to the Orient as well as to the Occident, to antiquity as well as to modern times, to paganism, to Buddhism, to Mahometanism, as well as to Christianity, is one of the optical apparatuses applied by man to the Infinite.This is not the place for enlarging disproportionately on certain ideas; nevertheless, while absolutely maintaining our reserves, our restrictions, and even our indignations, we must say that every time we encounter man in the Infinite, either well or ill understood, we feel ourselves overpowered with respect. There is, in the synagogue, in the mosque, in the pagoda, in the wigwam, a hideous side which we execrate, and a sublime side, which we adore. What a contemplation for the mind, and what endless food for thought, is the reverberation of God upon the human wall![...]
(Author portrait)
Victor Hugo (1802-1885), der große Literat der französischen Hochromantik, musste 1851 Frankreich verlassen und lebte bis 1870 in Belgien, Jersey und Guernsey. Die Jahre im Exil wurden zu seiner literarisch fruchtbarsten Zeit.
