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Full Description
Since Shmuel Eisenstadt published his ground-breaking concept of multiple modernities, there have been various scholarly attempts to free the term modernity from its narrow Eurocentric origins. In line with this, the essays on literature, art and film by Japanese and European scholars in this volume explore various aspects of modernity and its special form of modernism as a general meta-cultural and meta-national concept of social and cultural change. They thus provide a new and nuanced view of the scope of modernity and its specificities in America and Japan. The prefix 'dark' in the title alludes to the insight that these social and cultural transformations do and did not necessarily go along with solely positive effects - as particularly the name-giving Western optimistic version of modernity and modernism wanted to have it.
Contents
Introduction
Yoichiro Miyamoto (Open University of Japan)
Kinds of Noir: Transnational Realism in Postwar America, Japan and Europe
Hans-Peter Rodenberg (University of Hamburg)
The Dark City of Modernity: From "The Killers" to the City noir
Eisuke Kawada (Kanazawa University)
The Stylistic Aesthetic of Disfiguration: The Style of Modernity in Ernest Hemingway's "The
Snows of Kilimanjaro"
Astrid Böger (University of Hamburg)
Strange Revelations: Re-encountering Diane Arbus's Photographic Work
Tamara Radak (University of Vienna)
"Maybe the war will be over": Alternative Futures and Equivocal Closure in Hemingway's A Farewell to Arms)
Kodai Abe (University of Tsukuba)
Reading Woolfe Against Trauma: Shell Shock and Gender in Mrs. Dalloway
Bunei Kohara (Komatsu University)
Interopticality and the Atomic Phantom: Jaws, Godzilla, and America's Legacy of War
Hans-Peter Rodenberg (University of Hamburg)
The Terrible Modernity of War: A Bricolage of Artistic Responses in Japan and America
