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Full Description
The eponymous inter esse means the elusive "third" position of that which lies between, that which escapes unambiguous classification, and constitutes the essence of Romanticism. The book provides a constellation of texts, a clash of case studies that provide contrasting views of Romanticism, shifting between inspiration and virtuosity (Hugo and Mickiewicz), feminine poetry and the fantasy of femininity (Desbordes-Valmore and ¯michowska; de Nerval and Krasiñski), along with optimistic versus pessimistic—even nihilistic—reactions to disenchantment with the Enlightenment (Novalis, Krasiñski, Malczewski, Macha, Bonaventura, Buchner, Goszczyñski).
Siwiecs comparative analysis juxtaposes the familiar with the foreign, taking Polish and foreign-language writers under critical literary scrutiny. As a result, we receive a study that is not only exceptionally insightful, original, and engaging for the reader from the very beginning, but also composed almost mathematically, striking with its transparent order.
Jerzy Jarniewicz, University of Lodz
Contents
TABLE OF CONTENTS
Introduction: Inter Esse *
PART I: The Romantic Crisis of the Subject: Between the Strong and the Weak Self *
PART II: The Mages of Romanticism: Between Virtuosity and Priesthood *
1. The Mages of Romanticism: Hugo and Mickiewicz *
2. Romantic Oriental Cycles: Les Orientales and The Crimean Sonnets *
3. On Two Mickiewiczian Concepts of Inspiration *
4. Victor Hugo's 'Elegiac Moment' *
PART III: Poetesses and Enchantresses: Between Women's Poetry and the Phantasm of Femininity *
1. 'I know that women aren't required to write; / Yet write I do': Marceline Desbordes-Valmore and the Anxiety of Authorship *
2. Is a Romantic Poetess a Poet? On Narcyza ¯michowska's 'The Poet's Happiness' *
3. Nerval's Enchantresses: Opera in the Realm of Romantic Phantasms *
4. Questions About Krasiñski's Feminism *
PART IV: In a Disenchanted World: Between Heroism and Resignation *
1. Novalis's Re-enchantment *
2. Oneiric Apocalypses in Krasiñski's Geneva Fragments *
3. Marionettes, Masks and Dreams: Around Romantic Nothingness *
4. The Early Romantic Novel and the Poetics of the Postmodern Novel: Bonaventura's The Nightwatches *
5. Lieu de mémoire—lieu de folie by Seweryn Goszczyñski *
Bibliography *
Index of Names *