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Full Description
The author outlines how memory is treated by contemporary artists, philosophers,
musicians, sociologists, musicologists, as well as victims of the Holocaust...
She paints a rich landscape of how her subject features in the work of
composers and their collaborators, many of whom were motivated by memories
of the Occupation.
With such a subject, the discussion inevitably comes round to the uneasy relationship
between aesthetics and ethics. The author quotes Adorno: "Is poetry
possible after Auschwitz?". The work is an answer to that question, and an affirmative
one. It must be possible: to restore hope, and to invoke and sustain
Memory, at least symbolically - by artistic means. Art, even when it disturbs,
brings catharsis and preserves memory.
The author impresses with her erudition, wealth of materials cited, musical
competence and critical insights.
Krzysztof Szwajgier, The Krzysztof Penderecki Academy of Music, Cracow,
Poland.
Contents
Introduction — Chapter 1 Review of selected work on the theme of memory — Chapter 2 Szymon Laks - Auschwitz Games — Chapter 3 Stanisław Wiechowicz - Letter to Marc Chagall — Chapter 4 Marta Ptaszyńska - Holocaust Memorial Cantata — Chapter 5 Zbigniew Bujarski - Burning Bushes, Kinoth, Chamber Composition — Chapter 6 Bernadetta Matuszczak - Humanae Voces — Chapter 7 Arnold Schoenberg - A Survivor from Warsaw — Chapter 8 Olivier Messiaen - Quartet for the End of Time — Chapter 9 Dmitri Shostakovich - Babi Yar — Chapter 10 Selected issues from the work of Krzysztof Pendereck — Chapter 11 Threnody to the Victims of Hiroshima — Chapter 12 Death Brigade — Chapter 13 Oratorium Dies irae — Chapter 14 Kaddish — Chapter 15 Conclusion — Bibliography — Index of Names
