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Full Description
This third volume of the series 'Giuseppe Tartini and the Musical Culture of the Enlightenment' aims to investigate various aspects of the musical world surrounding Tartini. It primarily focuses on the analysis of the evidence related to instrument making and sound research associated with Tartini and his circle; it then considers the personalities of his fellow musicians and examines information on performances in the chapel of the Basilica del Santo in Padua. Finally, it concludes with investigations into Tartini's influence on later musicians and aspects of performance practices.
Contents
List of Contributors 7
Preface 9
Introduction: The Tartini Moment 13
The Production of Sound: Instruments and Bows in Tartini's Time
Donatella Melini
String Instrument Bows in the Arts at the Time of Tartini 27
Johannes Loescher
Violin Making during Tartini's Working Life 43
Antonino Airenti
The Tartini "Sound" through the Relics 53
The Sound Environment at the Basilica del Santo di Padova: Colleagues and Orchestra
Marc Vanscheeuwijck
Antonio Vandini: Tartini's Cellist, Colleague and Friend 65
Alfredo Bernardini
Matteo Bissoli, Tartini's Oboist Colleague 79
Domen Marinčič
Tartini's Music Performed without Chordal Continuo 91
Tartini's Sound Legacy: Stylistic Influences, Interpretation and Performing Practice
Federica Nuvoli
Giuseppe Tartini and Domenico Dall'Oglio: Their Violin Practice Compared 115
Federico Gon
Haydn and bariolage: An Italian Affair? 127
Dario Marušić
Folk Fiddling in Istria 143
Index of Names 149
