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Full Description
The book presents the history of the only strictly scientific Polish musicological periodical Kwartalnik Muzyczny. It shows how the editorial board of the periodi-cal met with true approval and harsh criticism. The subject allows the author to present the beginnings of Polish musicology and its evolution through three epochs: the late partitioning period, the interwar period of Poland's independ-ence, and the early years after the Second World War
Contents
Introduction
I Socio-institutional contexts of the establishment of Kwartalnik
Muzyczny
1. Panorama of Polish musicological journalism until
1910 - Roman Chojnacki's Młoda Muzyka and Przegląd
Muzyczny - WTM and Henryk Opieński's Kwartalnik
Muzyczny (1911-14) - collaboration with Adolf Chybiński -
clarification of the concept of a musicological quarterly -
university series
2. Societies, associations, institutes of the interwar
period: 'Club of professional music press' - Polish Society
for Contemporary Music - Polish Musicological Society -
Frederic Chopin Institute - Association of Early Music
Lovers and Publishing Society of Polish Music as an
institutional background to Kwartalnik Muzyczny
3. Music magazines of the interwar period: Lwowskie
Wiadomości Muzyczne i Literackie, Poznań's Przegląd
Muzyczny, Mateusz Gliński's Muzyka - other environmental
and local musical magazines - controversies over the model
of an expert journal of the milieu
II Hopes of Polish musicology - Kwartalnik Muzyczny in the
years 1928-1933
1. The idea of publishing a musicological quarterly -
preparatory work - establishing Kwartalnik Muzyczny:
the periodical's concept - programme assumptions:
the first editorial - reactions of the milieu
2. Musicological circles in Poland (Lviv, Cracow,
Poznań, Warsaw) as addresses of the Kwartalnik -
socio-scientific contexts: ideas about the functioning
of the musicological environment - main topics of
interest - other possibilities of publishing musicological
studies: academic publishing
3. Musicology among academic disciplines in the interwar
period - systematics, discussions
4. Authors and subjects: historical-musical work - 'technical
history' (Chybiński) versus 'live history' (Jachimecki);
contemporary music as a subject for research; music
theory and acoustics; philosophy, aesthetics, sociology;
psychology, pedagogy; ethnography and musical folklore;
themed editions
5. Muzyka Polska (1934-39) - Polski Rocznik
Muzykologiczny (1935, 1936)
III Difficult years - Kwartalnik Muzyczny in the years
1948-1950
1. New context of the functioning of the academic milieu and
their publications - 'bourgeoisie musicology'
Contents 7
2. Ideologisation of learning about music - conferences,
conventions, congresses - Marxist musicology - Państwowy
Instytut Sztuki - gradual radicalisation in academia
3. An attempt to continue the formula of the magazine - Adolf
Chybiński and his collaborators (Zofia Lissa, Tadeusz
Ochlewski, Józef M. Chomiński - scope of cooperation
and organisation of editorial work) - new organisation of
publishing work (PWM, PIS)
4. Authors and subjects as well as concepts, problems and work
methods - continuation of the pre-war work - around the
current issues of musical socialist realism - thematic
projects
Conclusion
Premises of the publishing crisis - change of generation -
new publishing initiatives in the field of musicological
periodicals: Muzyka, Studia Muzykologiczne, Rocznik
Chopinowski
Afterword
Abbreviations
Bibliography
Secondary literature
