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Full Description
This study explores various intersections between the traditional utopian discourse and such media as music, comic books, TV series, feature films, documentaries, fan fiction, computer games and web projects, bringing to focus the transformative role of the media used for the presentation and implementation of utopian projects. It shows both the variety of forms of expression of utopian impulses and the relocation and reinterpretation of utopia in the contemporary culture of convergence.
Contents
Contents: Artur Blaim: «Nowhere Plans for Nobody»: Constructing Utopia in Popular Music - Barbara Klonowska: Coming through Dystopia: Marjane Satrapi's Persepolis - Andrzej Sławomir Kowalczyk: «Reduce, Reuse, Recycle!» The BBC Children's Animation Bob the Builder, Project: Build It as an Ecotopia - Katarzyna Pisarska: Science, Power and Utopia in the Appleseed Universe - Marta Komsta: Destination - Eutopia: Nowa Huta in Polish Documentaries - Patrycja Podgajna: Slapstick as a Utopian Weapon in Juliusz Machulski's Embassy - Urszula Terentowicz-Fotyga: The City in 3D: Dystopian Past, Utopian Moment - Justyna Galant: The Carnivalesque Sense of the Armageddon: Richard Kelly's Menippea - Ludmiła Gruszewska-Blaim: Fan Fiction and Dystopian Classics: Utopianising Disruptions - Elżbieta Perkowska-Gawlik: The Taming of Dystopia in Progress: A Collage of Narrative Strategies in Barry J. Gardner's Webcomic Hyperbolic Dystopia - Zofia Kolbuszewska: Utopia, Affective Turn, Remediation and Transmediality: From the Dystopian Electronic World of We Are The Strange to the Utopia of the International Community Support for an Alternative Filmmaker - Mateusz Liwiński: Nostalgia for Dystopia: Critical Nostalgia in Lucas Pope's Papers, Please - Grzegorz Maziarczyk: Playable Dystopia? Interactivity and Narrativity in BioShock and BioShock Infinite.
