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Full Description
The volume aims to illuminate the issue of Jewish identity in the context of its pre-Holocaust European origins and post-Holocaust American and Israeli settings. Jewish experience and identity construction in Europe, America and Israel are presented through diverse perspectives: Merchant of Venice in the light of Levinas' ethics, Italian Jews in the 20th century, German-speaking Jewish authors in the Nazi 1930s, the Hassidic culture of learning, the representation of contemporary Poland in Jewish photography, Jewish life in America in a kashrut observing Orthodox neighbourhood, Kaballah in feminist cyberpunk fiction by Marge Piercy, constructing Jewish identity in British fiction in novels by Will Self and Muriel Spark, and Israeli films focusing on ethical solutions to political problems.
Contents
Contents: Lucyna Aleksandrowicz-Pędich/ Małgorzata Pakier: Introduction - Małgorzata Grzegorzewska: Levinas Reads Shakespeare - Piotr Podemski: The Fascist Burden. The Italian Jews in the 20th Century: Identities, Debates, Interpretations - Na'ama Sheffi: Drama as a Political Code: Professor Mannheim at the Habima Theater, 1934 - Hanna Komorowska: 18th c. Hassidic Thought and Contemporary Approaches to Language and Education - Joanna Auron-Górska: Empty Spaces. Representations of Poland and the Poles in Professional Jewish Photography from Western Europe and the USA - Jody Myers: Purity, Charity, Community: The Power of Kashrut in an Orthodox Jewish Neighborhood - Justyna Sierakowska: Golem, Cyborg, Other: Jewish Feminism in Response to Ecological Degradation in a Cyberpunk Novel of Marge Piercy He, She and It - Zofia Janowska: Jewish Self-Hate: The Phenomenon of Lily Bloom in Will Self's How the Dead Live - Małgorzata Czajka: The Topography of the Self in Muriel Spark's The Mandelbaum Gate - Liat Steir-Livny: The Holocaust and the Israeli-Arab Conflict in Israeli Culture. 1950's-1970's - Nurith Gertz: Recent Israeli Films: A New Option for a Different Israeli History.
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