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Full Description
Media and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century.
The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides - high and low, ideology and form, art and everyday life - that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's Factory, the perspectives established and the operations performed in Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
Contents
Contents: Johan Alfredsson: After Concretism - Bodil Børset: In on me, then away from me - Karl Hansson: Fluxus Haptics - Jonas Ingvarsson: Cutting-up Beach Boys - Jesper Olsson: Stepford Wives and Lingual Music - lIsa Otty: «I'll be your Mirror» - Torben Sangild: the distorted Voice - Åke Törnkvist: Strange Crossing - Marianne Ølholm: E-poetry.
