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Description
(Short description)
European Voices IV presents new perspectives on two basic performance styles of traditional music of Europe: 1) Solo playing on single instruments with the possibility for multipart texture, for instance different bagpipes and bowed instruments. 2) Practices of playing in small ensembles with a leading role of the violin and later of wind instruments, widespread in Central and Eastern Europe.14 renowned ethnomusicologists from eleven countries offer new insights on style, repertoire, ways of musical thinking and performance behaviour. Their studies are based on historical sources as well as of a vivid exchange with local musicians during in-depth ethnographic fieldwork. New perspectives on two basic performance practices of traditional multipart music in Europe
(Text)
European Voices IV presents new perspectives on two basic performance styles of traditional music of Europe: 1) Solo playing on single instruments with the possibility for multipart texture, for instance different bagpipes and bowed instruments. 2) Practices of playing in small ensembles with a leading role of the violin and later of wind instruments, widespread in Central and Eastern Europe.14 renowned ethnomusicologists from eleven countries offer new insights on style, repertoire, ways of musical thinking and performance behaviour. Their studies are based on historical sources as well as of a vivid exchange with local musicians during in-depth ethnographic fieldwork.
(Author portrait)
Ursula Hemetek ist Professorin für Ethnomusikologie, Leiterin des Instituts für Volksmusikforschung und Ethnomusikologie der mdw und seit 2017 Generalsekretärin des ICTM (International Council for Traditional Music).Ursula Hemetek ist Professorin für Ethnomusikologie, Leiterin des Instituts für Volksmusikforschung und Ethnomusikologie der mdw und seit 2017 Generalsekretärin des ICTM (International Council for Traditional Music).«Folk Terminology and Musical Phenomena. Sound Imaginations and their Realization in European Vocal Multipart MusicÂ" beschäftigt. Ardian Ahmedaja works as Senior Postdoctoral Researcher at the Institute for Folk Music Research and Ethnomusicology of the University of Music and Performing Arts in Vienna. The main emphasis of his research is the traditional multipart music in Europe. Born 1965 in Tiranë (Albania). 1983-1987 studied composition at the Academy of Arts, Tiranë. 1987-1991 Dramaturge at the State Opera and Ballet in Tiranë and lecturer at Academy of Art including the field of «Folklore and Albanian folk musicÂ". In Vienna since 1991. Studied composition and music theory at the School of Music and Performing Arts, Vienna (Magister of Arts, 1995). Studied Volkskunde and Musikwissenschaft at the University of Vienna (Promotion 1999 with work
