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Description
(Text)
The essays in this volume explore the borderland between ecology and the arts. Nature is here read by a number of contributors as 'cultural', by others as an 'independent domain', or even as a powerful process of exchange 'between the human and the other-than-human'. The four parts of the volume reflect these different understandings of nature and performance. Informed by psychoanalysis and cultural materialism, contributors to the first part, 'Spectacle: Landscape and Subjectivity', look at ways in which particular social and scientific experiments, theatre and film productions and photography either reinforce or contest our ideas about nature and human-human or human-animal relations and identities. The second part, 'World: Hermeneutic Language and Social Ecology', investigates political protest, social practice art, acoustic ecology, dance theatre, family therapy and ritual in terms of social philosophy. Contributors to the third part, 'Environment: Immersiveness and Interactivity', explore architecture and sculpture, site-specific and mediatised dance and paratheatre through radical theories of urban and virtual space and time, or else phenomenological philosophy. The final part, 'Void: Death, Life and the Sublime', indicates the possibilities in dance, architecture and animal behaviour of a shift to an existential ontology in which nature has 'the capacity to perform itself'.
(Table of content)
Contents: Gabriella Giannachi/Nigel Stewart: Ecology, Nature and the Arts Spectacle, World, Environment, Void - Baz Kershaw: The Ecologies of Performance: On Biospheres and Theatres - John Adams: Performative Locations: Wilderness Space and Place in Early Film - Una Chaudhuri: Animal Geographies: Zooësis and the Space of Modern Drama - Mike Pearson: P-P-P-Pick Up a Penguin: Men and Animals in Antarctic Exploration - Geraldine Harris: Turing Test: doo-cot Theatre Company's Frankenstein: The Final Blasphemy and the 'limits of the (post)human' - Andrew Quick: The Space Between: Disorienting Landscape in the Photographic Works of Willie Doherty - Elaine Aston: 'A Licence to Kill': Caryl Churchill's Socialist-Feminist 'Ideas of Nature' - Bronislaw Szerszynski: Beating the Unbound: Political Theatre in the Laboratory Without Walls - Wallace Heim: Navigating Voices - Andra McCartney: Performing Soundwalks for Journées sonores, canal de Lachine - Valerie A. Briginshaw: From Performance through Narrative to Interconnected Subjectivities - Enzo Cozzi: Chilean Sacred Dancers and Western Secular Magicians: Two Paratheatrical Ecologies of Mind - Nick Kaye: Performed Ecologies: Body, Material, Architecture - Frances Bronet: Beating a Path : Designing in the Posture of Body - Johannes Birringer: Environments for Interactive Dance - Sondra Fraleigh: Spacetime and Mud in Butoh - Theresa J. May: Re-Membering the Mountain: Grotowski's Deep Ecology - Nigel Stewart: Dancing the Time of Place: Fieldwork, Phenomenology and Nature's Choreography - Gabriella Giannachi: The Museum of Voids - Alan Read: Play-Ground-Nature-Table - Wallace Heim: Performance and Ecology: A Reader's Guide.
(Author portrait)
The Editors: Gabriella Giannachi is Senior Lecturer in Drama at the University of Exeter, UK. Her specialist areas include performance, new media theatre and bio-art. She is co-editor, with Mary Luckhurst, of On Directing (1999), co-author, with Nick Kaye, of Staging the Post-Avant-Garde (2002), and author of Virtual Theatres (2004) and Politics - New Media - Theatre: Life (2006). She is Co-Director of the Centre for Intermedia at Exeter University.
Nigel Stewart is Lecturer in Theatre Studies at Lancaster University, UK. He is a dance artist and scholar with interests in movement analysis, notation, and environmental, hermeneutic and phenomenological aesthetics. He has worked extensively both nationally and internationally as a choreographer, dancer and director, and has published articles in several major journals and books.
