The Stage as 'Der Spielraum Gottes' (Studies in Modern German Literature .98) (Neuausg. 2006. 254 S. 150 x 220 mm)

個数:

The Stage as 'Der Spielraum Gottes' (Studies in Modern German Literature .98) (Neuausg. 2006. 254 S. 150 x 220 mm)

  • オンデマンド(OD/POD)版です。キャンセルは承れません。
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Paperback:紙装版/ペーパーバック版/ページ数 254 p.
  • 言語 ENG
  • 商品コード 9783039102686

Description


(Text)
Until the second half of the nineteenth century, the concept of the divine plays an obvious and major role in German literature. Through an analysis of twentieth-century German theatre, this book investigates continuities and discontinuities of this tradition. More specifically, it examines the modern estrangement from religious traditions coupled with the modern alienation from language. This work, however, reveals that there is also a continued divine presence on the stage in modernity, despite the general historical turn toward secular atheism. It deals with divine presence in the plays of Hugo von Hofmannsthal, Wolfgang Borchert, Bertolt Brecht and Friedrich Dürrenmatt and analyzes their struggles with the limitations of language. The book demonstrates how these playwrights turn their skepticism toward language into a theatre where the stage becomes a playground for the divine.
(Table of content)
Contents: Das Moderne and the Modern Predicament - Hugo von Hofmannsthal's Jedermann : a Modern Mystery Play - Wolfgang Borchert's Draubetaen vor der Tür : Expressionism without a Vision. An open door to God - Epic Theater: Bertolt Brecht's Der gute Mensch von Sezuan : the Break with Illusions - Friedrich Dürrenmatt's Ein Engel kommt nach Babylon : "Verzweiflung" of Language and Faith in the Divine - Conclusion: Re-Presentations of the Divine.
(Review)
"La obra de Gabor es, sin lugar a dudas, un trabajo brillante, riguroso y muy sólido que contribuye con ideas novedosas y argumentos irrefutables a la definición de la Modernidad, de su literatura y del nuevo concepto de lo divino después de la 'muerte de Dios'." (Isabel García Adánez, Revista de Filología Alemana)
(Author portrait)
The Author: Olivia Gratiana Gabor received her Ph.D. in 2000 from the University of Michigan with specialization in Modern German Drama. She served one year as Language Program Director in the Department of Germanic Languages and Literatures at the University of Michigan. From 2002 to 2004 she was Visiting Assistant Professor of German at Western Michigan University and is currently Assistant Professor of German at Western Michigan University.

最近チェックした商品