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Full Description
The fifteenth and sixteenth centuries saw a significant rhetorical shift that has long influenced French literature. In this period, poets began to describe themselves as orators. Their verse was addressed to various audiences, both real or fictional, and was judged on its eloquence, public utility, and ability to engage with contemporary concerns and events. This book endeavours to shed light on this unique moment of interplay between poetry and communication, through an interdisciplinary framework that draws on approaches from rhetoric, philology, and communication studies. Through eight case studies, this book explores a little-known history of French literature, from George Chastelain to Ronsard, including poets such as Guillaume Cretin, Jean Lemaire de Belges, Octovien de Saint-Gelais, Jean Molinet, Jean Bouchet, Nicaise Ladam and François Habert.
Contents
Contents
Estelle Doudet & Lucien Dugaz
When Poetry Was Rhetoric
PART I Successes and Failures in Communication
Ellen Delvallée
Guillaume Cretin and the Practice of Invective Discourse
Estelle Doudet
Chastelain's Scenarios to Amending Miscommunication in Poetry
PART II Allegory as a Poetic and Rhetorical Device
Dariusz Krawczyk
Eloquence of Unveiling: Allegorical Temples and Spiritual Discourse in François Habert's Work
Nathalie Dauvois
Prosopopœia, Rhetoric and Political Engagement, from Jean Bouchet to Pierre de Ronsard
Part III Authorship and Authority
Benedetta Salvati
Authorship and Agency in Nicaise Ladam's Poetry
Lucien Dugaz
'Rendre à Octovien...': Attributing the Dame sans sy and the Trois Bussines to Octovien de Saint-Gelais
PART IV Poetry among the Arts
Adeline Desbois-Ientile
How does Poetry Communicate? Molinet and Lemaire's Opposing Views on Music
Notes on Contributors
References
Index of names
Index of poetical and rhetorical notions
Index of cited manuscripts



