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Full Description
This book presents the first study of voice-over from a wide approach, including not only academic issues but also a description of the practice of voice-over around the globe. The authors define the concept of voice-over in Film Studies and Translation Studies and clarify the relationship between voice-over and other audiovisual transfer modes. They also describe the translation process in voice-over both for production and postproduction, for fiction and non-fiction.
The book also features course models on voice-over which can be used as a source of inspiration by trainers willing to include this transfer mode in their courses. A global survey on voice-over in which both practitioners and academics express their opinions and a commented bibliography on voice-over complete this study. Each chapter includes exercises which both lecturers and students can find useful.
Contents
Contents: Voice-over from Film Studies to Translation Studies - Voice-over for postproduction (I): Typology and working conditions - Voice-over for postproduction (II): The translation process - Voice-over for production - Training in voice-over - Giving voice to practitioners and academics: A global survey on voice-over.
