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Full Description
New York City plays a significant, albeit previously neglected, role in the urban narratives of Edith Wharton and Anzia Yezierska at a time when the city was as new and central to the American experience as had been the Western frontier. New York City was the epicenter of the late 19th and early 20th century world at large; its constantly shifting landscape caused by urbanization, industrialization, women's emancipation, and immigration found its representation in the extremes of the urban spectrum on Fifth Avenue and the Lower East Side. Narrating the domestic sphere from widely diverging vantage points, native Edith Wharton and immigrant Anzia Yezierska present a polarized city where domesticity is always a primal and existential concern. By analyzing exterior and interior city representations in Wharton's and Yezierska's New York literature, the author shows how urban space greatly affects, influences and alters questions of identity, assimilation, acculturation, and alienation in protagonists who cannot escape their respective settings. Edith Wharton's «millionaire» heroines are framed by «conspicuous consumption» in the gilt interiors of their New York City while Anzia Yezierska's «immigrant» protagonists hunger for a «Promised Land» of knowledge and learning in the perpetually changing urban landscape.
Contents
Contents: Representations of urban space in Edith Wharton's and Anzia Yezierska's fictional New York: looking at the cityscape of the millionaire and the immigrant - City exteriors: viewed from without, from the top, from street level, from the gutter and below, and discussing the city crowd - City Interiors: versions of the home in tenements, apartments, estates, and hotels; looking at boxes, libraries, kitchens, and studying the use of mirrors - The fictional New York City as a «gilt cage» or «promised land»: questions of resignation and hope.
