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Description
This book offers a groundbreaking exploration of storytelling and cultural adaptation, revealing how narratives can transform individual suffering into powerful acts of resistance and survival. By examining the works of Margaret Atwood and Toni Morrison, this monograph delves into the intricate process of adaptation, where stories are retold and rewritten across various media, expanding their meanings and resonating with new audiences. Key concepts such as storytelling, historical reconstruction, and trauma are examined through the lens of adaptation, highlighting the continuous revision of narratives. The book focuses on four central metaphors-water, quilts, seeds, and mirrors-within the novels Beloved, Alias Grace, The Bluest Eye, and The Handmaid's Tale, and their adaptations into films, TV series, operas, and more. These adaptations reveal the complex interactions between texts, creating cultural shifts and exchanges that enrich our understanding of the past and present. Essential reading for researchers of Atwood and Morrison, this book also appeals to scholars in Contemporary Literature, Screen, Theatre, and Adaptation Studies
Chapter 1: Introduction.- Chapter 2: Regenerating the Past Reconstructing Margaret Garners Story Through Rememory and Adaptation in Morrisons Works and Dramatisations.- Chapter 3: Quilting Narratives Sewing the Fragments of Grace Marks Stories.- Chapter 4: Mutation and Survival in Toni Morrison and Lydia Diamonds The Bluest Eye.- Chapter 5: Reflections and Dispersions in Margaret Atwoods The Handmaids Tale 1985 and its Dramatisations.- Chapter 6: Conclusion.
Silvia Ghirardelli holds a PhD in English Literature from the University of Sheffield, UK. Her research and writing interests are principally concentrated in the area of Adaptation, Trauma and Gender Studies, looking at ideas of survival and rewriting as acts of political resistance. Her PhD thesis explores Contemporary Literature and Adaptation Studies with a focus on selected novels by Margaret Atwood and Toni Morrison and their dramatisations. Her research has appeared in journals including Languages, Texts and Society Journal, Margaret Atwood Studies Journal, and Adaptation.
