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Description
This Handbook will explore diverse contemporary topics that reflect the variety of heritage in Aotearoa New Zealand, with topics ranging over cultural and natural heritage, the arts and culture, GLAMs (galleries, libraries, archives and museums), public history, and the natural environment. The chapters in this book all have some relationship with people and place, or with Aotearoa New Zealand's shared history and the impact of/response to a colonial legacy. They will explore the conflict and tensions which arise in contemporary debates about postsettler history, national identity, and popular culture. Within this framework of land, Maori and settler/migrant peoples, authors consider the conflict, problems and tensions which arise from settler-colonial violence, post settler history and a fractious national identity. The book will focus on issues that connect to the relationship with indigenous people and the land through the Treaty of Waitangi/Tiriti o Waitangi. It asks: Who are we and what does it mean to live here, as tangata whenua (people of the land) and tangata tiriti (people of the Treaty)? How has our heritage shaped and been shaped by our relationship to each other and to the land?
Chapter 1. Whakaupoko/Inter-Cultural Heritage in Aotearoa New Zealand: An Introduction.- Part I: Te Whenua / Land.- Chapter 2. Te Whenua / Land: An Introduction.- Chapter 3. 1 + 1 = 3: An Introduction to Interculturalism.- Chapter 4. Nga Pakiaka Morehu o te Whenua: The Surviving Roots: Reclaiming Space Post-Treaty Settlement.- Chapter 5. Heritage and the Colonial Project.- Chapter 6. Coastal Heritage, Climate Change and Community-centred Action.- Chapter 7. Te Ara o Raukawa Moana: Active Kaitiakitanga in Response to Climate Change.- Chapter 8. Heritage, Museums, and Climate Change: A Conversation with Huhana Smith.- Chapter 9. Re-remembering Te Whanganui-a-Tara: Pukeahu National War Memorial Park.- Chapter 10. Aotearoa New Zealand s Leading Role on the World Heritage Stage: Advancing the Meaningful Participation of Indigenous Peoples and Communities.- Chapter 11. Aotearoa is My Turangawaewae : Unearthing Resistance of Banaban Youth, Displacement, and Belonging in the Pacific.- Chapter 12. Mauri and Museums: Integrating Maori Cultural Values into Museums Lessons from Environmental Management.-Part II: Taonga, Objects, Knowledges and Practices.- Chapter 13. Taonga, Objects, Knowledges and Practices: An Introduction.- Chapter 14. Tongan Talatupu a/Fananga: Breathing Life Into Archival Myth/Legend Collections.- Chapter 15. Ka hao te m hio hei matauranga pa tauremu / Gathering knowing and knowledge in stone fish traps: The 100th anniversary of the Dominion Museum Ethnological Expedition to Te Tairawhiti 1923.- Chapter
Conal McCarthy is Director of the Museum & Heritage Studies programme at the Stout Research Centre, Te Herenga Waka Victoria University of Wellington. In his professional museum career he has worked in collections, exhibitions, education, interpretation, governance and curatorial roles. He has published widely on museum history, theory and practice, including the books Exhibiting Maori (2007), Museums and Maori (2011), and Museum Practice (2015), volume 2 of The International Handbooks of Museum Studies (Wiley Blackwell). In 2018 he published the history of Te Papa, and in 2019 Curatopia: Museums and the future of research (co-edited with Philipp Schorch, Manchester University Press).
Michelle Horwood is a Teaching Fellow in Museum and Heritage Studies programme at Te Herenga Waka Victoria University of Wellington. She has an academic background in anthropology, archaeology and museum studies, and has worked at Nga Taonga Sound & Vision, Aotearoa New Zealand s national audio visiual archive, as well as Heritage New Zealand Pouhere Taonga and Whanganui Rgional Museum. Her doctoral research, focusing upon building relationships between indigenous communities and museums, was published in the Routledge Museums in Focus series in 2019, Sharing Authority in the Museum: Distributed Objects, Reassembled Relationships.
Awhina Tamarapa (Ngati Kahungunu, Ngati Ruanui and Ngati Pikiao), an experienced museum curator, researcher, consultant and writer, is a Postdoctoral Fellow in the Stout Research Centre at Te Herenga Waka Victoria University of Wellington. She has a PhD in Museum and Heritage Studies examining taonga kakahu (cloaks and other textiles) in museum collections and the ongoing maintenance and revitalisation of weaving in the community. She has curated major exhibitions at Te Papa, and edited accompanying catalogues. In 2018 she was awarded the Mina McKenzie award by Museums Aotearoa.
Kolokesa Uafa Mahina-Tuai, MNZM is a cultural champion and mediator, curator and writer. She is of Tongan heritage with ancestral links to Samoa and Fiji. Kolokesa was curator of Moana Oceania cultures at Te Papa (2004-2008) and Tamaki Paenga Hira Auckland War Memorial Museum (2013-2017). She currently works with Toluma anave Barbara Makuati-Afitu, of Samoan heritage, for Lagi-Maama Academy and Consultancy, an educational and cultural organisation they co-founded in 2018. In 2022 Kolokesa was awarded the honour of Member of the New Zealand Order of Merit For services to cultures and the arts.
